Quotes about childhood

Childhood is that time in which we never question the fact that every adult act is not only an autonomous occurrence in the universe, but that it is also filled, packed, overflowing with meaning, whether that meaning works for ill or good, whether the ill or good is or is not comprehended.

Adulthood is that time in which we see that all human actions follow forms, whether well or badly, and it is the perseverance of the forms that is, whether for better or worse, their meaning.

Various cultures make the transition at various ages, which transition period lasts for varying lengths of time, one accomplishing it in a week with careful dances, ancient prayers, and isolate and specified rituals; another, letting it take its own course, offering no help for it, and allowing it to run on frequently for years. But at the center of the changeover there is a period—whether it be a moment’s vision or a year-long suspicion—where the maturing youth sees all adult behavior as merely formal and totally meaningless.

Before adolescence, memory is more interested in the future than the past...

I thought how strange it had never occurred to me before that I was only purely happy until I was nine years old.

When I call to mind my earliest impressions, I wonder whether the process ordinarily referred to as growing up is not actually a process of growing down; whether experience, so much touted among adults as the thing children lack, is not actually a progressive dilution of the essentials by the trivialities of living.

“I am not my childhood," Snowman says out loud.

So the first step out of childhood is made all at once, without looking before or behind, without caution, and nothing held in reserve.

I just want always to be a little boy and have fun.

Childhood, after all, has to be an age of discovery. These are days you'll remember vividly all your life, even when you're old and forget why you came into a room. It must never be allowed to become the age of anxiety.

The anxiety has been greatly increased by this government's multiplication of exams and emphasis on starting training as a middle manager in a computer company from the age of six. Parents have made things worse by worrying unduly about exam results and seeing that their children work a great deal harder than most middle managers in computer companies.

Every person in his first trip to a foreign country, where he knows neither the people nor the language, experiences childhood.

Children, then, are not freer than adults. They are burdened by a wish fantasy in direct proportion to the restraints of their narrow lives; with an unpleasant sense of their own physical inadequacy and ridiculousness; with constant shame about their dependence, economic and otherwise (‘Mother, may I?’); and humiliation concerning their natural ignorance of practical affairs. Children are repressed at every waking minute. Childhood is hell.

In the Middle Ages there was no such thing as childhood. The medieval view of children was profoundly different from ours.

I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.