Shulamith Firestone

Quotes

  1. And just as the internal contradictions of capitalism must become increasingly apparent, so must the internal contradictions of empirical science – as in the development of pure knowledge to the point where it assumes a life of its own, e.g., the atomic bomb. As long as man is still engaged only in the means – the charting of the ways of nature, the gathering of ‘pure’ knowledge – to his final realization, mastery of nature, his knowledge, because it is not complete, is dangerous. So dangerous that many scientists are wondering whether they shouldn’t put a lid on certain types of research. But this solution is hopelessly inadequate. The machine of empiricism has its own momentum, and is, for such purposes, completely out of control. Could one actually decide what to discover or not discover? That is, by definition, antithetical to the whole empirical process that Bacon set in motion.

    p. 181

    Book cover: The Dialectic of Sex: The Case for Feminist RevolutionThe Dialectic of Sex: The Case for Feminist Revolution
  2. The first attempts to confront the modern world have been for the most part misguided. The , a famous example, failed at its objective of replacing an irrelevant easel art (only a few optical illusions and designy chairs mark the grave), ending up with a hybrid, neither art nor science, and certainly not the sum of the two. They failed because they didn’t understand science on its own terms: to them, seeing in the old aesthetic way, it was simply a rich new subject matter to be digested whole into the traditional aesthetic system. It is as if one were to see a computer as only a beautifully ordered set of lights and sounds, missing completely the function itself. The scientific experiment is not only beautiful, an elegant structure, another piece of an abstract puzzle, something to be used in the next collage – but scientists, too, in their own way, see science as this abstraction divorced from life – it has a real intrinsic meaning of its own, similar to, but not the same as, the ‘presence’, the ‘en-soi’, of modern painting. Many artists have made the mistake of thus trying to annex science, to incorporate it into their own artistic framework, rather than using it to expand that framework.

    p. 187

    Book cover: The Dialectic of Sex: The Case for Feminist RevolutionThe Dialectic of Sex: The Case for Feminist Revolution
  3. Sex objects are beautiful. An attack on them can be confused with an attack on beauty itself. Feminists need not get so pious in their efforts that they feel they must flatly deny the beauty of the face on the cover of Vogue. For this is not the point. The real question is: is the face beautiful in a human way – does it allow for growth and flux and decay, does it express negative as well as positive emotions, does it fall apart without artificial props – or does it falsely imitate the very different beauty of an inanimate object, like wood trying to be metal? To attack eroticism creates similar problems. Eroticism is exciting. No one wants to get rid of it. Life would be a drab and routine affair without at least that spark. That's just the point. Why has all joy and excitement been concentrated, driven into one narrow, difficult-to-find alley of human experience, and all the rest laid waste? When we demand the elimination of eroticism, we mean not the elimination of sexual joy and excitement but its diffusion over - there's plenty to go around , it increases with use - the spectrum of our lives.

    p. 155

    Book cover: The Dialectic of Sex: The Case for Feminist RevolutionThe Dialectic of Sex: The Case for Feminist Revolution
  4. New theories and new movements do not develop in a vacuum, they arise to spearhead the necessary social solutions to contradictions in the environment.

    p. 192

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  5. There is some irony in the fact that children imagine that parents can do what they want, and parents imagine that children do. "When I grow up..." parallels "Oh to be a child again..."

    p. 102

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  6. Every person in his first trip to a foreign country, where he knows neither the people nor the language, experiences childhood.

    p. 103

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  7. Let me then say it bluntly: Pregnancy is barbaric. I do not believe, as many women are now saying, that the reason pregnancy is viewed as not beautiful is due strictly to cultural perversion. The child’s first response, ‘What’s wrong with that Fat Lady?’; the husband’s guilty waning of sexual desire; the woman’s tears in front of the mirror at eight months – are all gut reactions, not to be dismissed as cultural habits. Pregnancy is the temporary deformation of the body of the individual for the sake of the species. Moreover, childbirth hurts. And it isn’t good for you. Three thousand years ago, women giving birth ‘naturally’ had no need to pretend that pregnancy was a real trip, some mystical orgasm (that far-away look). The Bible said it: pain and travail. The glamour was unnecessary: women had no choice. They didn’t dare squawk. But at least they could scream as loudly as they wanted during their labour pains. And after it was over, even during it, they were admired in a limited way for their bravery; their valour was measured by how many children (sons) they could endure bringing into the world.

    p. 198

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  8. Contrary to popular opinion, love is not altruistic. [...] Love is the height of selfishness: the self attempts to enrich itself through the absorption of another being. Love is being psychically wide-open to another. It is a situation of total emotional vulnerability. Therefore it must be not only the incorporation of the other, but an exchange of selves. Anything short of a mutual exchange will hurt one or the other party. There is nothing inherently destructive about this process. A little healthy selfishness would be a refreshing change. Love between two equals would be an enrichment, each enlarging himself through the other: instead of being one, locked in the cell of himself with only his own experience and view, he could participate in the existence of another – an extra window on the world. This accounts for the bliss that successful lovers experience: lovers are temporarily freed from the burden of isolation that every individual bears.

    p. 128

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  9. Children, then, are not freer than adults. They are burdened by a wish fantasy in direct proportion to the restraints of their narrow lives; with an unpleasant sense of their own physical inadequacy and ridiculousness; with constant shame about their dependence, economic and otherwise (‘Mother, may I?’); and humiliation concerning their natural ignorance of practical affairs. Children are repressed at every waking minute. Childhood is hell.

    p. 103

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  10. Love has never been understood, though it may have been fully experienced, and that experience communicated.

    p. 126

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  11. The family is neither private nor a refuge, but is directly connected to – is even the cause of – the ills of the larger society which the individual is no longer able to confront.

    p. 224

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  12. In the second type of cultural response the contingencies of reality are overcome, not through the creation of an alternate reality, but through the mastery of reality’s own workings: the laws of nature are exposed, then turned against it, to shape it in accordance with man’s conception. If there is a poison, man assumes there is an antidote; if there is a disease, he searches for the cure: every fact of nature that is understood can be used to alter it. But to achieve the ideal through such a procedure takes much longer, and is infinitely more painful, especially in the early stages of knowledge. For the vast and intricate machine of nature must be entirely understood – and there are always fresh and unexpected layers of complexity – before it can be thoroughly controlled. Thus before any solution can be found to the deepest contingencies of the human condition, e.g., death, natural processes of growth and decay must be catalogued, smaller laws related to larger ones. This scientific method (also attempted by Marx and Engels in their materialist approach to history) is the attempt by man to master nature through the complete understanding of its mechanics. The coaxing of reality to conform with man’s conceptual ideal, through the application of information extrapolated from itself, we shall call the Technological Mode.

    p. 174

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