Quotes about love

"Julia! Julia! Julia, my love! Julia!"

For a moment he had had an overwhelming hallucination of her presence. She had seemed to be not merely with him, but inside him. It was as though she had got into the texture of his skin. In that moment he had loved her far more than he had ever done when they were together and free. Also he knew that somewhere or other she was still alive and needed his help.

"Confession is not betrayal. What you say or do doesn't matter: only feelings matter. If they could make me stop loving you—that would be the real betrayal."

She thought it over. "They can't do that," she said finally. "It's the one thing they can't do. They can't make you believe it. They can't get inside you."

"No," he said a little more hopefully, "no; that's quite true. They can't get inside you. If you can feel that staying human is worth while, even when it can't have any result whatever, you've beaten them."

Both of them knew — in a way, it was never out of their minds that what was now happening could not last long. There were times when the fact of impending death seemed as palpable as the bed they lay on, and they would cling together with a sort of despairing sensuality, like a damned soul grasping at his last morsel of pleasure when the clock is within five minutes of striking. But there were also times when they had the illusion not only of safety but of permanence. So long as they were actually in this room, they both felt, no harm could come to them. Getting there was difficult and dangerous, but the room itself was sanctuary.

It would not have occurred to her that an action which is ineffectual thereby becomes meaningless. If you loved someone, you loved him and when you had nothing else to give, you still gave him love. When the last of the chocolate was gone, his mother had clasped the child in her arms. It was no use, it changed nothing, it did not produce more chocolate, it did not avert the child's death or her own; but it seemed natural for her to do it. The refugee woman in the boat had also covered the little boy with her arm, which was no more use against the bullets than a sheet of paper. The terrible thing that the Party had done was to persuade you that mere impulses, mere feelings, were of no account, while at the same time robbing you of all power over the material world. When once you were in the grip of the Party, what you felt or did not feel, what you did or refrained from doing, made literally no difference. Whatever happened you vanished, and neither you nor your actions were ever heard of again. You were lifted clean out of the stream of history. And yet to the people of only two generations ago, this would not have seemed all-important, because they were not attempting to alter history. They were governed by private loyalties which they did not question. What mattered were individual relationships, and a completely helpless gesture, an embrace, a tear, a word spoken to a dying man, could have value in itself.''' The proles, it suddenly occurred to him, had remained in this condition. They were not loyal to a party or a country or an idea, they were loyal to one another. For the first time in his life he did not despise the proles or think of them merely as an inert force which would one day spring to life and regenerate the world. The proles had stayed human.

Why did it always have to be like this? Why could he not have a woman of his own instead of these filthy scuffles at intervals of years? But a real love affair was an almost unthinkable event. The women of the Party were all alike. Chastity was as deep ingrained in them as Party loyalty. By careful early conditioning, by games and cold water, by the rubbish that was dinned into them at school and in the Spies and the Youth League, by lectures, parades, songs, slogans, and martial music, the natural feeling had been driven out of them. His reason told him that there must be exceptions, but his heart did not believe it.

He did not feel any temptation to tell lies to her. It was even a sort of love-offering to start off by telling the worst.

Eight minutes had gone by. He re-adjusted his spectacles on his nose, sighed, and drew the next batch of work towards him, with the scrap of paper on top of it. He flattened it out. On it was written, in a large unformed handwriting: I LOVE YOU. For several seconds he was too stunned even to throw the incriminating thing into the memory hole. When he did so, although he knew very well the danger of showing too much interest, he could not resist reading it once again, just to make sure that the words were really there.

You never understand anybody that loves you.

Then they were walking along the stream together and he said, “Maria, I love thee and thou art so lovely and so wonderful and so beautiful and it does such things to me to be with thee that I feel as though I wanted to die when I am loving thee.” “Oh,” she said. “I die each time. Do you not die?” “No. Almost. But did thee feel the earth move?” “Yes. As I died. Put thy arm around me, please.”

'What happens to people that love each other?'

'I suppose they have whatever they have and they are more fortunate than others. Then one of them gets the emptiness for ever.'

'Tell me some true things about fighting.'

'Tell me you love me.'

'I love you,' the girl said. 'You can publish it in the Gazzettino if you like. I love your hard, flat body and your strange eyes that frighten me when they become wicked. I love your hand and all your other wounded places.'

What a business. You go along your whole life and they seem as though they mean something and they always end up not meaning anything. There was never any of what this is. You think that is one thing you will never have. And then, on a lousy show like this, co-ordinating two chicken-crut guerilla bands to help you blow a bridge under impossible conditions, to abort a counter-offensive that will probably already be started, you run into a girl like this Maria.