Quotes about art

392 quotes · 169 authors

Quotes

  1. Out of the synthesis of opposites, a cancerous growth called Beauty came into being; obscene antisurvival concepts named Loyalty, Courage, Justice were born into the universe.

    Wherever the elemental Purities encountered this monstrous hybrid, a battle of extermination was joined. Good could compromise with Evil, but neither could meet with the half-breed, Art.

    p. 169

  2. Buy a piece of art. Find one that speaks to you and make the purchase. If it is a genuine artistic production, it will invade your life and change it. A real piece of art is a window into the transcendent, and you need that in your life, because you are finite and limited and bounded by your ignorance. […]

    It is for such reasons that we need to understand the role of art, and stop thinking about it as an option, or a luxury, or worse, an affectation. Art is the bedrock of culture itself. It is the foundation of the process by which we unite ourselves psychologically, and come to establish productive peace with others. As it is said, “Man shall not live by bread alone” (Matthew 4:4). That is exactly right. We live by beauty. We live by literature. We live by art. We cannot live without some connection to the divine—and beauty is divine—because in its absence life is too short, too dismal, and too tragic.

    p. 203

  3. I think that anyone who will take the trouble to consider the matter carefully will arrive at the same conclusion as I have, that art owes its origin to Nature herself, that this beautiful creation the world supplied the first model, while the original teacher was that divine intelligence which has not only made us superior to the other animals, but like God Himself, if I may venture to say it.

    p. 5

  4. The great artists are the ones who dare to entitle to beauty things so natural that when they’re seen afterward, people say: Why did I never realize before that this too was beautiful?

    p. 159

  5. These men, for whom life has no repose, live at times in their rare moments of happiness with such strength and indescribable beauty, the spray of their moment’s happiness is flung so high and dazzlingly over the wide sea of suffering, that the light of it, spreading its radiance, touches others too with its enchantment. Thus, like a precious, fleeting foam over the sea of suffering arise all those works of art, in which a single individual lifts himself for an hour so high above his personal destiny that his happiness shines like a star and appears to all who see it as something eternal and as a happiness of their own.

    p. 44

  6. She worked quickly, but not because she considered the commission beneath her. It was simply the way she always approached her art. Preparation, forethought, hours of meditation, then an explosion of swift and decisive action, like the quick and merciful descent of a sword. Execution, in every sense of the word.

    p. 272

  7. Half of all the great art and literature in existence went unrecognised during the lifetimes of its creators.

    p. 109

  8. Nature shouldn’t be able to do this, Sunday thought. It shouldn’t be able to produce something that resembled the work of directed intelligence, something artful, when the only factors involved were unthinking physics and obscene, spendthrift quantities of time. Time to lay down the sediments, in deluge after deluge, entire epochs in the impossibly distant past when Mars had been both warm and wet, a world deluded into thinking it had a future. Time for cosmic happenstance to hurl a fist from the sky, punching down through these carefully superimposed layers, drilling through these carefully superimposed layers, drilling the geological chapters like a bullet through a book. And then yesterday more time—countless millions of years—for wind and dust to work their callous handiwork, scouring and abrading, wearing the exposed layers back at subtly different rates depending on hardness and chemistry, util these deliberate-looking right-angled steps and contours began to assume grand and imperial solidity, rising from the depths like the stairways of the gods.

    Awe-inspiring, yesterday. Sometimes it was entirely right and proper to be awed. And recognising the physics in these formations, the hand of time and matter and the nuclear forces underpinning all things, did not lessen that feeling. What was she, ultimately, but the end product of physics and matter? And what was her art but the product of physics and matter working on itself?

    p. 292

  9. The boundary between art and kitsch was negotiable, even porous.

    p. 162

  10. Art is the signature of man.

  11. Anarchism adjures us to be bold creative artists, and care for no laws or limits. But it is impossible to be an artist and not care for laws and limits. Art is limitation; the essence of every picture is the frame. If you draw a giraffe, you must draw him with a long neck. If, in your bold creative way, you hold yourself free to draw a giraffe with a short neck, you will really find that you are not free to draw a giraffe. The moment you step into the world of facts, you step into a world of limits. You can free things from alien or accidental laws, but not from the laws of their own nature. You may, if you like, free a tiger from his bars; but do not free him from his stripes. Do not free a camel from the burden of his hump; you may be freeing him from being a camel. Do not go about as a demagogue, encouraging triangles to break out of the prison of their three sides. If a triangle breaks out of its three sides, its life comes to a lamentable end.

  12. The point of art is to emphasize some elements at the expense of others.