Quotes about architecture

Open-source architecture is presented as an innovation, but it is really just the vernacular with an Internet connection. Local design fueled by a global community.

The imperial view, a history professor at the Naval Academy once said, is the long view. Individuals build empires because they want their names to echo through time. They build massive constructs of stone and steel so that their descendants will remember the people who created the world that they only live in. There were buildings on Earth that were thousands of years old, sometimes the only remaining evidence of empires that thought they would last forever. Hubris, the professor had called it. When people build, they are trying to make an aspiration physical. When they die, their intentions are buried with them. All that’s left is the building.

Old Street roundabout is a diamond-shaped circulatory system designed in the late 1960s to thin out the number of cyclists heading in and out of the City. In line with the then-current planning conventions they added a series of mugger-friendly underpasses, an insufficiently wide entrance to Old Street Underground station, and a small shopping arcade lined with urine-attracting beige tile.…

You can say what you like about late-sixties architecture, but when they baked in the ugly they baked it in good.

Despite being the oldest part of London, the Square Mile has a faster architectural churn than anywhere else in the city. Occasionally it throws up something exciting, innovative and modern…but mostly it doesn’t. Architects like a bit of volume, and financiers like floor space. The easiest way to maximize both is to build a cube—which is why ninety-nine per cent of all office buildings are boxes with lobbies.

Few buildings evoke the sinister horror of 1950s municipal architecture more strikingly than the flat roofed pub. Thrown up in their thousands wherever the working class were being rehoused, it’s hard to imagine that the architects were not secret teetotallers looking to make the whole pub experience as grim as possible.

Here the bland 1930s art deco stylings of the station gave way to the horror that was the 1980s where every public building was deliberately crafted to look as much like a urinal as possible.

The railway hit Harrow on the Hill in 1880 and it’s been downhill ever since, culminating in one of those formless red brick shopping centres which artfully combines a complete lack of aesthetic quality with a total disregard for the utilitarian function for which it is built.

Now, I have - as Beverley says - views about architecture. But there's modern stuff I like. The Gherkin, the Lloyd's Building, even the Shard - despite the nagging feeling I get that Nazgûl should be roosting at the top. But the truth is that in the case of One Hyde Park my boy Sir Roger was definitely just putting in the hours for the pay check. It's not ugly as such...it's just not anything in particular.

Landscaping is the great cardinal sin of modern architecture. It’s not your garden, it’s not a park—it’s a formless patch of grass, shrubbery and the occasional tree that exists purely to stop the original developer’s plans from looking like a howling concrete wilderness.

As property prices started rising, developers snatched up bomb sites and derelict buildings and erected the shapeless concrete lumps that have made the ’70s the shining beacon of architectural splendor that it is.

It’s a bland box of a building built in the 1970s; it was considered to be so lacking in architectural merit that there was talk of listing it so that it could be preserved for posterity as an awful warning.

Why do people build houses to keep the climate out, then cut holes in the walls to let it in again? I shall never understand.