Portrait: Haruki Murakami

Author photo

Chat GPT based on Ministerio Cultura y Patrimonio from Quito, Ecuador, Public domain, via Wikimedia Commons

Public domain

The author has released this work into the public domain. This applies worldwide.

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Original: Ministerio Cultura y Patrimonio from Quito, Ecuador, Public domain, via Wikimedia Commons

Haruki Murakami

Quotes

  1. As a teacher, Tengo pounded into his students’ heads how voraciously mathematics demanded logic. Here things that could not be proven had no meaning, but once you had succeeded in proving something, the world’s riddles settled into the palm of your hand like a tender oyster. Tengo’s lectures took on uncommon warmth, and the students found themselves swept up in his eloquence. He taught them how to practically and effectively solve mathematical problems while simultaneously presenting a spectacular display of the romance concealed in the questions it posed. Tengo saw admiration in the eyes of several of his female students, and he realized that he was seducing these seventeen- or eighteen-year-olds through mathematics. His eloquence was a kind of intellectual foreplay. Mathematical functions stroked their backs; theorems sent warm breath into their ears.

    p. 350

  2. The problem is with the weekly magazines. Their freelancers or journalists or whatever you call them will start circling like sharks smelling blood. They’re all good at what they do, and once they latch on, they don’t let go. Their livelihood depends on it, after all. They can’t afford to have little things like good taste or people’s privacy stand in their way.

    p. 378

  3. He had done everything asked of him, and now he just wanted to concentrate on his own work. Something told him, however, that it was not going to be that simple, and he knew that bad premonitions have a far higher accuracy rate than good ones.

    p. 251

  4. Tengo went on, ”I’m tired of living in hatred and resentment. I’m tired of living unable to love anyone. I don’t have a single friend—not one. And, worst of all, I can’t even love myself. Why is that? Why can’t I love myself? It’s because I can’t love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself.”

    p. 511

  5. “If you ask me, any religion that takes the end of the world as one of its central tenets is more or less bogus. In my view, the only thing that ever ‘ends’ is the individual. That said, the Society of Witnesses is an amazingly tough religion. Its history is not very long, but it has withstood many tests and has steadily continue to increase the number of its believers. There is a lot that can be learned from that.”

    “It probably just shows how close-minded they’ve been. The smaller and narrower such a group is, the more firmly they can resist outside pressure.”

    “You are probably right about that,” the man said, pausing for a few moments.

    p. 523

  6. Komatsu was good at keeping a straight face when saying things he didn’t believe, though this was a skill mastered by all experienced editors to some degree.

    p. 470

  7. Mathematics gave Tengo an effective means of retreat. By fleeing into a world of numerical expression, he was able to escape from the troublesome cage of reality.

    p. 221

  8. That’s what the world is, after all: an endless battle of contrasting memories.

    p. 368

  9. Of course, reading novels was just another form of escape. As soon as he closed their pages he had to come back to the real world. But at some point Tengo noticed that returning to reality from the world of a novel was not as devastating a blow as returning from the world of mathematics. Why should that have been? After much deep thought, he reached a conclusion. No matter how clear the relationships of things might become in the forest of story, there was never a clear-cut solution. That was how it differed from math. The role of a story was, in the broadest terms, to transpose a single problem into another form. Depending on the nature and direction of the problem, a solution could be suggested in the narrative. Tengo would return to the real world with that suggestion in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. At times it lacked coherence and served no immediate practical purpose. But it would contain a possibility. Someday he might be able to decipher the spell. That possibility would gently warm his heart from within.

    p. 222

  10. The guru is a degenerate with perverted sexual tastes. There can be no doubt. The organization and the doctrines are nothing but a convenient guise for masking his individual desires.

    p. 306

  11. What did it mean for a person to be free? she would often ask herself. Even if you managed to escape from one cage, weren’t you just in another, larger one?

    p. 231

  12. I can bear any pain as long as it has meaning.

    p. 546