Quotes
It takes people a long time to learn the difference between talent and genius, especially ambitious young men and women.
That's just why, because talent isn't genius, and no amount of energy can make it so. I want to be great, or nothing. I won't be a common-place dauber, so I don't intend to try any more.
For it needs little skill in psychology to be sure that a highly gifted girl who had tried to use her gift for poetry would have been so thwarted and hindered by other people, so tortured and pulled asunder by her own contrary instincts, that she must have lost her health and sanity to a certainty.
p. 51
If I have any talent at all, it is not for doing but for being.
But an artist, he realized. Or rather so-called artist. Bohemian. That’s closer to it. The artistic life without the talent.
p. 168
If you haven’t got it, you can’t show it. If you have got it, you can’t hide it.
that's the beauty of an art school: as long as you can pay the tuition, they will never, even in the gentlest way, suggest that you have no talent.
p. 238
Angling is somewhat like poetry, men are to be born so: I mean, with inclinations to it, though both may be heightened by discourse and practice
As no man is born an artist, so no man is born an angler.
We say: he has no talent, only tone. But tone is precisely what cannot be invented — we're born with it. Tone is an inherited grace, the privilege some of us have of making our organic pulsations felt — tone is more than talent, it is its essence.
When we review with the child the productions of art and nature, when we stimulate his curiosity and follow its lead, we have great opportunities of studying his tastes and inclinations, and perceiving the first spark of genius, if he has any decided talent in any direction. You must, however, be on your guard against the common error which mistakes the effects of environment for the ardour of genius, or imagines there is a decided bent towards any one of the arts, when there is nothing more than that spirit of emulation, common to men and monkeys, which impels them instinctively to do what they see others doing, without knowing why. The world is full of artisans, and still fuller of artists, who have no native gift for their calling, into which they were driven in early childhood, either through the conventional ideas of other people, or because those about them were deceived by an appearance of zeal, which would have led them to take to any other art they saw practised. One hears a drum and fancies he is a general; another sees a building and wants to be an architect. Every one is drawn towards the trade he sees before him if he thinks it is held in honour.
Perseverance does instead of talent up to a certain point; he got so far, but no further. This honest lad's perseverance and ambition are praiseworthy; he will always be respected for his industry and steadfastness of purpose, but his paintings will always be third-rate. Who would not have been deceived by his zeal and taken it for real talent! There is all the difference in the world between a liking and an aptitude. To make sure of real genius or real taste in a child calls for more accurate observations than is generally suspected, for the child displays his wishes not his capacity, and we judge by the former instead of considering the latter.

















