Cat Town

[A]ll philosophers must surrender to the poet when they arrive at the end of their intellectual exploration. Only the universe that the poet intuits far above the common senses is the true metaphysical reality.

In the face of all kinds of derisions of all the many people, I still firmly believe in my mind that that unique village on the Japan Sea of which oral legend has handed down, the town where only cats' spirits live, must surely exist somewhere, in some part of the universe.

The allure of travel gradually faded away from my roman. Once upon a time my heart danced just by imaging any of its symbols, a train, a steamship, towns of unknown foreign lands. Nonetheless, my past experiences taught me that travel is no more than the simple "movement of the same thing within the same space." No matter where you go, you find the same kinds of people live, repeating the same kinds of monotonous lives, in the same kinds of villages or towns. In any small town in the countryside, the merchant is fiddling with his abacus at his storefront, looking out at the whitish street all day, the public servant is smoking in his office, thinking about things like vegetables in his lunch box, as they live each tasteless, monotonous day the same way, day after day, watching their lives gradually grow old. The allure of travel came merely to project in my tired heart the image of an endlessly bored landscape like a Chinese parasol tree that grows in some vacant lot, making me feel a tasteless hatred and leeriness for human life in which identical rules repeat themselves no matter where you turn. In short, I lost interest in any kind of travel, the romance of it.

Nothing contains a greater metaphysical mystery than the fact that a single thing presents two separate sides if you change the direction of your eyes, that a single phenomenon has a hidden "secret side." A long time ago, when I was a child, I would look at a framed painting hanging on the wall and become obsessed with the thought: What kind of world is secretly hidden behind that framed landscape? I often removed the oil painting to peer at its back. This question I had as a child remains for me, an adult today, as an unsolvable mystery.