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If you can't prove what you want to prove, demonstrate something else and pretend they are the same thing. In the daze that follows the collision of statistics with the human mind, hardly anyone will notice the difference.

...when we are comfortable and inattentive, we run the risk of committing grave injustices absentmindedly.

What made it possible for me to exercise freedom of choice also made it impossible to know the future. Conversely, now that I know the future, I would never act contrary to that future. [...] Those who've read the Book of Ages never admit to it.

The point in all this is that language is a handy whipping boy to summon and belabor when we have failed in some serious way. In other words, we play politics with language, and in so doing conceal the reality and the complexity of our situation from ourselves and from those foolish enough to put their trust in us.

Every generation must recognize and embrace the task it is peculiarly designed by history and by providence to perform.

Centuries of their labor would not reveal to them any more of Creation than they already knew. Yet through their endeavor, men would glimpse the unimaginable artistry of Yahweh's work, in seeing how ingeniously the world had been constructed. By this construction, Yahweh's work was indicated, and Yahweh's work was concealed.

Some people flinch when you talk about art in the context of the needs of society thinking you are introducing something far too common for a discussion of art. Why should art have a purpose and a use? Art shouldn't be concerned with purpose and reason and need, they say. These are improper. But from the very beginning, it seems to me, stories have indeed been meant to be enjoyed, to appeal to that part of us which enjoys good form and good shape and good sound.

There is a moral obligation, I think, not to ally oneself with power against the powerless.

I do not see that it is necessary for any people to prove to another that they build cathedrals or pyramids before they can be entitled to peace and safety.

The universe was a language with a perfectly ambiguous grammar. Every physical event was an utterance that could be parsed in two entirely different ways, one causal and the other teleological.

People from different parts of the world can respond to the same story if it says something to them about their own history and their own experience.

The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.