Quotes about writing

16 quotes · 10 authors

Quotes

  1. It takes a spasm of love to write a poem.

  2. The men who have really been the bold artists, the realistic artists, the uncompromising artists, are the men who have turned out, after all, to be writing "with a purpose."

  3. A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.

  4. It is in this way that all my books have been composed. They were always written at least twice over; a first draft of the entire work was completed to the very end of the subject, then the whole begun again de novo; but incorporating, in the second writing, all sentences and parts of sentences of the old draft, which appeared as suitable to my purpose as anything which I could write in lieu of them. I have found great advantages in this system of double redaction. It combines, better than any other mode of composition, the freshness and vigour of the first conception, with the superior precision and completeness resulting from prolonged thought. In my own case, moreover, I have found that the patience necessary for a careful elaboration of the details of composition and expression, costs much less effort after the entire subject has been once gone through, and the substance of all that I find to say has in some manner, however imperfect, been got upon paper.

    p. 222

    Book cover: AutobiographyAutobiography
  5. Mere newspaper articles on the occurrences or questions of the moment, gave no opportunity for the development of any general mode of thought; but I attempted, in the beginning of 1831, to embody in a series of articles, headed "The Spirit of the Age," some of my new opinions, and especially to point out in the character of the present age, the anomalies and evils characteristic of the transition from a system of opinions which had worn out, to another only in process of being formed. These articles were, I fancy, lumbering in style, and not lively or striking enough to be at any time, acceptable to newspaper readers; but had they been far more attractive, still, at that particular moment, when great political changes were impending, and engrossing all minds, these discussions were ill-timed, and missed fire altogether. The only effect which I know to have been produced by them, was that Carlyle, then living in a secluded part of Scotland, read them in his solitude, and saying to himself (as he afterwards told me) "here is a new Mystic," inquired on coming to London that autumn respecting their authorship; an inquiry which was the immediate cause of our becoming personally acquainted.

    p. 173

    Book cover: AutobiographyAutobiography
  6. Writing a book for the Follies seems to be about as profitable an occupation as furnishing flannel petticoats for the showgirls. p. 151

  7. This book had two authors, and they were both the same person.

  8. What I do now is think of a problem and a resolution to that problem. I then begin the story, making it up as I go along, having all the excitement of finding out what will happen to the characters and how they will get out of their scrapes, but working steadily toward the known resolution, so that I don’t get lost en route.

    When I asked for advice for beginners, I always stress that. Know your ending, I say, or the river of your story may finally sink into the desert sands and never reach the sea.

    p. 49

  9. It is not very difficult to write for teenagers if you avoid thinking of them as children. I do not simplify my vocabulary for them, though I often add the pronunciations of the technical terms, merely to reduce the terror they inspire visually. I do avoid sentences that are too long and complex and I do not indulge in obscure illusions. What is lacking in a teenager is not intelligence or reasoning ability, but merely experience.

    p. 525

  10. The novels I have been writing lately are the kind I wrote in the 1950s. (I have been criticized for this by some critics, but the day I pay attention to critics is the day the sky will fall.)

    p. 77

  11. In writing a science fiction novel, you must invent a futuristic social structure which is complex enough to be interesting in itself apart from the story and which is self-consistent. You must also invent a plot that works only within that social structure. The plot must develop without unduly obscuring the description of the social structure, and the social structure must be described without unduly slowing the plot.

    Making a science fiction novel fulfill this double purpose is difficult even for an experienced and talented old hand such as myself. Every other kind of writing is easier than science fiction.

    p. 265

  12. A character is never the author who created him. It is quite likely, however, that an author may be all his characters simultaneously.

    p. 86