Less Than Nothing

The horror of the Holocaust cannot be represented; but this excess of represented content over its aesthetic representation has to infect the aesthetic form itself. What cannot be described should be inscribed into the artistic form as its uncanny distortion.

The protracted struggle which dragged on in Egypt was not a conflict of visions, but the conflict between a vision of freedom, the "eternal" Platonic Idea of Freedom, and a blind clinging to power ready to use all means possible—terror, food deprivation, exhaustion, bribery—to crush the will to freedom.

[Tyranny] becomes superfluous when people no longer need the external force of the tyrant to make them renounce their particular interests, but when they become "universal citizens" by directly identifying the core of their being with this universality - in short, people no longer need the external master when they are educated into doing the job of discipline and subordination themselves.

Let us take social struggle at its most violent: war. What interests Hegel is not struggle as such, but the way the "truth" of the engaged positions emerges through it, namely how the warring parties are "reconciled" through their mutual destruction. The true (spiritual) meaning of war is not honor, victory, defense, etc., but the emergence of absolute negativity (death) as the absolute Master which reminds us of the false stability of our organized, finite lives. War serves to elevate individuals to their "truth" by making them renounce their particular self-interests and identify with the State's universality.

In this precise sense, Kant was "the inventor of the philosophical history of philosophy": there are necessary stages in the development of philosophy, that is, one cannot directly get at the truth, one cannot begin wit it, philosophy necessarily began with metaphysical illusions. The path from illusion to its critical denunciation is the very core of philosophy, which means that successful ("true") philosophy is no longer defined by its truthful explanation of the totality of being, but by successfully accounting for the illusions, that is, by explaining not only why illusions are illusions, but also why they are structurally necessary, unavoidable, and not just accidents.

The present book is thus neither The Complete Idiot's Guide to Hegel, nor is it yet another university textbook on Hegel (which would be for morons, of course); it is something like The Imbecile's Guide to Hegel—Hegel for those whose IQ is somewhere close to their bodily temperature (in Celsius), as the insult goes.

The medium here is not the message, quite the opposite: the very medium that we use—the universal intersubjectivity of language—undermines the message.

The implicit lesson of Plato is not that everything is appearance, that it is not possible to draw a clear line of separation between appearance and reality (that would have meant the victory of sophism), but that essence is "appearance as appearance," that essence appears in contrast to appearance within appearance; that the distinction between appearance and essence has to be inscribed into appearance itself. Insofar as the gap between essence and appearance is inherent to appearance, in other words, insofar as essence is nothing but appearance reflected into itself, appearance is appearance against the background of nothing—everything appears ultimately out of nothing …

Reading Heidegger against the grain, one discovers a thinker who was, at some points, strangely close to communism.

There is nothing in Lacan which is not stupid, no exceptions to stupidity, so that what makes him not totally stupid is only the very inconsistency of his stupidity.

If the West has its military-industrial complex, we in the ex-Yugoslavia had a poetic-military complex: the post-Yugoslav was was triggered by a mixture of poetic and military components.