Pat Conroy

The tour for South of Broad began at my house at Fripp this past week. The tour is abbreviated because of my health, which I regret. I always liked meeting and talking to you guys on the road, but that was a time before airline travel became an American nightmare. I'll go by car on most of the signings, and we'll see how it goes. I'm alone in a room for most of my life, writing, and I love when readers bring me news of the outside world. That part of my life might be coming to an end, and nothing fills me with more regret. To have attracted readers is the most magical part of my writing life. I was not expecting you to show up when I wrote my first books. It took me by surprise. It filled me with gratitude. It still does.

I have yet to meet an English teacher who assigned a book to damage a kid.

About the war between me and technology: it appears that technology is rolling over me like a blitzkrieg. I'm a victim of all its barbarisms. I still can't type, which makes my emails seem composed by a highlands baboon. Once or twice a week, I check my e-mail, whether I need to or not. I understand that most human beings check theirs with more frequency. Twitter is an unknown factor in my life and I've never seen Facebook, even though I'm told I have a presence on both of these entities. People give me looks of pity and ask me why I want to wallow in my disconnection from a very connected world. It is simple. The world seems way too connected for me now. It seems to be ruining the lives of teenagers and bringing out the bestial cruelty in those who can hide their vileness under the mask of some idiotic pseudonym. I like to sit alone and think about things. Solitude is as precious as coin silver and it takes labor to attain it. I can be frivolous without Twitter and Facebook. I turned sixty-five this year and I take old age seriously. There's work to be done.

I have read like a man on fire my whole life because the genius of English teachers touched me with the dazzling beauty of language.

Teaching remains a heroic act to me, and teachers live a necessary and all-important life. We are killing their spirit with unnecessary pressure and expectation that seem forced and destructive to me. Long ago I was one of them. I still regret I was forced to leave them. My entire body of work is because of men and women like them.

Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth.

I often tell people The Boo is "the worst book ever written by an American," and I wish I'd written it better.

Among the worst things about growing old is the loss of those irreplaceable friends who added richness and depth to your life.

I envy the tireless intimacy of women's friendship, its lastingness, and its unbendable strength.

How could a man I had dreaded as my commandant and who tried twice to get me kicked out of college become the subject of the first book I would write? How could the young kid I was then become one of the closest friends The Boo would ever make? Who could have predicted that The Boo would be hired as the mighty advisor for the filming of The Lords of Discipline in England? After his long humiliation and exile by The Citadel, who would have predicted that he and I would both be honored by a full-dress parade and honorary degrees as we stood shoulder-to-shoulder on the same parade ground we had marched on as boys? Who could have foreseen the day I would deliver his eulogy at the Summerall Chapel, or that I would give a speech on the night they named the dining room in the new Alumni Hall after him? Not me. Not once. Not ever.

I've always taken a childish joy in showing off Charleston to strangers in the city. Charleston never lets me down, but this time my tour of the city had an unusual twist. I showed them Charleston through the eyes of the narrator of South of Broad, Leo King. I followed Leo's paper route through the old part of the city, showed them the high points and low points of Leo's career as a child. I showed them the distinguished line of mansions that grace the jacket of the book. To me it composes the prettiest formation of houses in the book. We toured The Citadel and I pointed out the places I had lived when I was pretending to be a cadet, I owe The Citadel more than I can express in words. That day, The Citadel was beautiful in sunlight, and Charleston strutted in the beauty of all its strange elixirs.

I went looking for the presentation copy of The Boo he had given me in 1970. I had never opened it that I could remember, and I wanted to see if he had signed it. When I opened it, I found these eight words written to me forty-one years ago: "To the lamb who made me, The Boo." These words made my whole writing career worthwhile.