Derren Brown

Quotes

  1. There is a real irony to the NLPers I knew who prided themselves on their communication skills yet because of their need to let everyone know how engaging they were, they were among the least engaging

    Book cover: Tricks Of The MindTricks Of The Mind
  2. The single most valuable human trait, the one quality every schoolchild and adult should be taught to nurture, is, quite simply, kindness.

    Book cover: Confessions of a ConjurorConfessions of a Conjuror
  3. There is a common response from people when they hear that in the absence of evidence to convince me otherwise I don’t have any particular belief in ghosts, psychic powers or an afterlife. It normally runs something along the lines of ‘So you think we just live, die and that’s it? Come on...’ There’s a clear implication there that this earthly life – the wonder of being human – is somehow worthless. That it’s cheap and disappointing enough to warrant that ‘just’ and the accompanying incredulous tone, which are usually reserved for sentences like ‘After all that it was just a little spider? Come on...’ I live, I am sure, in a fairly narrow band of life, and make an embarrassingly pitiful attempt to explore the world I find myself upon. I ache with guilt and conflict when I hear of people living as adventurers, abandoning mainstream lives and living each day with abandon. But I really hope I have a brighter vision for this life and a greater curiosity for its richness than one who can say, and mean, ‘You think we just live, die and that’s it?’

    Book cover: Confessions of a ConjurorConfessions of a Conjuror
  4. The most cursory look at cold-reading and suggestion tells us that Tarot cards are not evil; psychics do not ‘usher in’ the Devil or his minions; and even the creepy old Ouija board can be shown to operate via quite everyday, natural, physical forces.

    Book cover: Confessions of a ConjurorConfessions of a Conjuror
  5. The desire to impress is an efficient means of bringing out one’s least impressive qualities.

    Book cover: Confessions of a ConjurorConfessions of a Conjuror
  6. A diner having a row with a waiter in a swanky restaurant chills the blood in a way that a quarrel over a pizza order elsewhere would never do. Compassion is rarely the custom of the privileged.

    Book cover: Confessions of a ConjurorConfessions of a Conjuror
  7. Magic means nothing. It has the potential to connect us to something wonderful, as does any performance, but it is not wonderful in itself, for it is inseparable from the particular performance in which it is experienced. A magician who is too fast, too slow, mumbles, shouts, smells, is unlikeable or incomprehensible will unavoidably taint his magic with his personal failings.

    Book cover: Confessions of a ConjurorConfessions of a Conjuror
  8. Jean-Eugène Robert-Houdin, the extraordinary father of modern conjuring, made the salient point that ‘a magician is an actor playing the part of a magician’. This is a very good description. However, an actor takes for granted how to create drama in every word, movement and look. The average magician is barely aware of its existence.

    Book cover: Confessions of a ConjurorConfessions of a Conjuror
  9. I cannot see the word ‘troubled’ prefixing the name of some poor starlet who has been dragged through the mire of tabloid spite without vomiting directly onto the newspaper. Troubled by whom? Troubled by you, you fuckwits.

    Book cover: Confessions of a ConjurorConfessions of a Conjuror
  10. Participant. A participant is active, a part of the process, and a necessary component of the magical experience. This is how it should be. No magic happens unless the participant perceives it as magical, so she can never be a mere spectator.

    Book cover: Confessions of a ConjurorConfessions of a Conjuror
  11. When we are customarily annoyed by what we see as the failings of others, we are judging them by a ludicrous standard: we are assuming that they fully understand our desires, quite possibly better than we do, and that they have nothing to do but arrange things to fall seamlessly into place around our probably ill-communicated wishes.

    Book cover: Confessions of a ConjurorConfessions of a Conjuror
  12. Since the 1920s, grand illusion on stage has been synonymous with the restraint and mutilation of female assistants, as if the first act a lucky mortal, newly endowed with the ability to overturn the laws of the universe, would wish to carry out would be the casual torture of the fairer sex for our entertainment.

    Book cover: Confessions of a ConjurorConfessions of a Conjuror