David Sedaris
Quotes
Another old-fashioned practice I maintain is carrying a notebook, a small one I keep in my shirt pocket and never leave the house without. In it I register all the little things that strike me, not in great detail but just quickly. The following morning I'll review what I jotted down and look for the most meaningful moment in the previous day, the one in which I felt truly present.
It's worth mentioning that this is my edit. It wasn't easy revisiting what are now 156 volumes of my diary.
p. 6
After coming home, I listened to the radio and cleaned up a little. A woman on All Things Considered wrote a book of advice called If You Want to Write and mentioned the importance of keeping a diary. It was valuable, she said, because after a while you'd stop being forced and pretentious and become honest and unafraid of your thoughts.
p. 94
My problem was that I already loved an apartment. The one we had was perfect, and searching for another left me feeling faithless and sneaky, as if I were committing adultery. After a viewing, I'd stand in our living room, looking up at the high, beamed ceiling and trying to explain that the other two-bedroom had meant nothing to me.
p. 180
Sometimes when you're stoned it's fun to sit around and think of who might play you in the movie version of your life. What makes it fun is that no one is actually going to make a movie of your life.
I'd worried that, in making the movie, the director might get me and my family wrong, but now a worse thought occurred to me: What if he got us right?
p. 147
that's the beauty of an art school: as long as you can pay the tuition, they will never, even in the gentlest way, suggest that you have no talent.
p. 238
If cooking is an art, I think we're in our Dada phase.
For the first twenty years of my life I rocked myself to sleep. It was a harmless enough hobby, but eventually I had to give it up. Throughout the next twenty-two years I lay still and discovered that after a few minutes I could drop off with no problem. Follow seven beers with a couple of scotches and a thimble of good marijuana, and it's funny how sleep just sort of comes on its own. Often I never even make it to bed. I'd squat down to pet the cat and wake up on the floor eight hours later, having lost a perfectly good excuse to change my clothes. I'm now told that this is not called "going to sleep" but rather "passing out," a phrase that carries a distinct hint of judgment.
After a few months in my parents' basement, I took an apartment near the state university, where I discovered both crystal methamphetamine and conceptual art. Either one of the these things are dangerous, but in combination they have the potential to destroy entire civilizations.
My hands tend to be full enough dealing with people who hate me for who I am. Concentrate too hard on the millions of people who hate you for what you are and you're likely to turn into one of those unkempt, sloppy dressers who sag beneath the weight of the two hundred political buttons they wear pinned to their coats and knapsacks. I haven't got the slightest idea how to change people, but still I keep a long list of prospective candidates just in case I should ever figure it out.
p. 251
Like all of my friends, she's a lousy judge of character.
The word phobic has its place when properly used, but lately it's been declawed by the pompous insistence that most animosity is based upon fear rather than loathing. No credit is given for distinguishing between these two very different emotions.
"Cut corners and it'll always come back to bite you in the ass." That was one of her sayings.
p. 106







