Quotes
If I were a writer, how I would enjoy being told the novel is dead. How liberating to work in the margins, outside a central perception. You are the ghoul of literature. Lovely.
It is not [the biographer's] business to be complimentary; it is his business to lay bare the facts of the case, as he understands them...dispassionately, impartially, and without ulterior motives.
In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It's the drowning out of false voices.
The writer must define his audience by its abilities, by its perfections, so far as he is gifted to conceive them. He does well, if he cannot see his right audience within immediate reach of his voice, to direct his words to his spiritual ancestors, or to posterity, or even, if need be, to a coterie. The writer serves his daemon and his subject. And the democracy that does not know that the daemon and the subject must be served is not, in any ideal sense of the word, a democracy at all.
Such humble talents as God had given me I will endeavour to put to their greatest use; if I am able to amuse I will try to benefit too; and when I feel it my duty to speak an unpalatable truth, with the help of God, I will speak it, though it be to the prejudice of my name and to the detriment of my readers immediate pleasure as well as my own.
This paper will serve instead of a confidential friend into whose ear I might pour forth the overflowings of my heart. It will not sympathise with my distresses, but then it will not laugh at them, and, if I keep it close, it cannot tell again; so it is, perhaps, the best friend I could have for the purpose.
Discipline and abstraction of putting my life into words, every day, helped me to cope with shame and its first cousin, despair. - Lin
Even after the only person whose opinion I cared about left on a boat for America, I continued to fill pages with her name.
p. 8
These things were lost to oblivion like so much about so many who are born and die without anyone ever taking the time to write it all down.
p. 70
When I got older I decided I wanted to be a real writer. I tried to write about real things. I wanted to describe the world, because to live in an undescribed world was too lonely.
p. 7
“How is the book going?” I asked returning to my knitting.
“The self-help stuff?”
“The magnum opus.”
Landen looked thoughtful for a moment and then said, “More opus than magnum. I’m trying to figure out whether the lack of progress is writer’s block, procrastination, idleness or just plain incompetence.”
p. 8
What is exaggeration to one class of minds and perceptions, is plain truth to another. That which is commonly called a long–sight, perceives in a prospect innumerable features and bearings non–existent to a short–sighted person. I sometimes ask myself whether there may occasionally be a difference of this kind between some writers and some readers; whether it is ALWAYS the writer who colours highly, or whether it is now and then the reader whose eye for colour is a little dull?















