Quotes about storytelling

Do not tell people how to live their lives. Just tell them stories. And they will figure out how those stories apply to them.

Reality is always kinder than the story we tell about it.

In its studies and learned colloquy, Faz saw and felt the tales of Men. They seemed curiously convoluted, revolving about Self. What mattered most to those who loved tales was how they concluded. Yet all Men knew how each ended. Their little dreams were rounded with a sleep.

So the point of a tale was not how it ended, but what it meant. The great inspiring epic rage of Man was to find that lesson, buried in a grave.

"Stories have no point if they don't absorb our terror."

I thought Beatrice Keedsler had joined hands with other old-fashioned storytellers to make people believe that life had leading characters, minor characters, significant details, insignificant details, that it had lessons to be learned, tests to be passed, and a beginning, a middle, and an end.As I approached my fiftieth birthday, I had become more and more enraged and mystified by the idiot decisions made by my countrymen. And then I had come suddenly to pity them, for I understood how innocent and natural it was for them to behave so abominably, and with such abominable results: They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: It was a convenient literary device for ending short stories and books.Why were so many Americans treated by their government as though their lives were as disposable as paper facial tissues? Because that was the way authors customarily treated bit-part players in their madeup tales.And so on.Once I understood what was making America such a dangerous, unhappy nation of people who had nothing to do with real life, I resolved to shun storytelling. I would write about life. Every person would be exactly as important as any other. All facts would also be given equal weightiness. Nothing would be left out. Let others bring order to chaos. I would bring chaos to order, instead, which I think I have done.If all writers would do that, then perhaps citizens not in the literary trades will understand that there is no order in the world around us, that we must adapt ourselves to the requirements of chaos instead.It is hard to adapt to chaos, but it can be done. I am living proof of that: It can be done.

Because our minds need to reduce information, we are more likely to try to squeeze a phenomenon into the Procrustean bed of a crisp and known category (amputating the unknown), rather than suspend categorization, and make it tangible. Thanks to our detections of false patterns, along with real ones, what is random will appear less random and more certain—our overactive brains are more likely to impose the wrong, simplistic, narrative than no narrative at all.

What is easier to remember, a collection of facts glued together, or a story, something that offers a series of logical links? Causality is easier to commit to memory. ...What is induction exactly? ...It is very handy, as the general takes much less room in onel's memory than a collection of particulars. The effect of such compression is the reduction in the degree of detected randomness.

We favor the visible, the embedded, the personal, the narrated, and the tangible; we scorn the abstract.

[E]conomics is a narrative discipline, and explanations are easy to fit retrospectively. (page 257)

Before the story he refused to even think about it; after the story, it became conceivable to him, and, once he could conceive of it, it soon became inevitable.

There are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before; like the larks in this country, that have been singing the same five notes over for thousands of years.

Some stories, you use up. Others use you up.