Quotes
You move totally away from reality when you believe that there is a legitimate reason to suffer.
'It must be nice to think there is a true reality,' says Miss Callendar. 'I've always found reality a matter of great debate.'
p. 143
A reply must in civility be made to a certain voice which methinks I hear, that, in view of past chapters, and more particularly the last, where certain antics appear, exclaims: How unreal all this is! Who did ever dress or act like your cosmopolitan? And who, it might be returned, did ever dress or act like harlequin?
Strange, that in a work of amusement, this severe fidelity to real life should be exacted by any one, who, by taking up such a work, sufficiently shows that he is not unwilling to drop real life, and turn, for a time, to something different. Yes, it is, indeed, strange that any one should clamor for the thing he is weary of; that any one, who, for any cause, finds real life dull, should yet demand of him who is to divert his attention from it, that he should be true to that dullness.
No matter how much you plan for it, the real thing seems curiously, well, unreal.
p. 395
Eagles had made a realist of him. He believed in facts, and in altering your viewpoint to fit them, no matter what they were. That was the way you survived and stayed sane; it was hard, it meant sacrifices—he had already lost many things that he valued deeply—but it was the only way.
p. 186
All things are vibrating energy fields in ceaseless motion. The chair you sit on, the book you are holding in your hands appear solid and motionless only because that is how your senses perceive their vibrational frequency, that is to say, the incessant movement of the molecules, atoms, electrons and subatomic particles that together create what you perceive as a chair, a book, a tree, or a body.
All we can perceive, experience, think about, is the surface layer of reality, less than the tip of an iceberg.
The world’s gone mad, he thought. The dead walk about and I think nothing of it.
The return of corpses has become trivial in import. How quickly one accepts the incredible if only one sees it.
The dreams are the skeleton of all reality.
All fantasy should have a solid base in reality.
Dreams, Mr. Nyazi, are perfect ideals, complete in themselves. How can you impose them on a constantly changing, imperfect, incomplete reality? You would become a Humbert, destroying the object of your dream; or a Gatsby, destroying yourself.
Perhaps only in a world of the blind will things be what they truly are.
p. 126




















