Quotes about reading

They only have one book in Sendero, and it tells them to burn all the other books.

Miss Matfield liked her fiction to be full of jungles, coral reefs, plantations, lagoons, hibiscus flowers, the scent of vanilla, schooners on the wide Pacific, tropical nights. So long as the young man was first shown to her dressed in white and lounging on a veranda, while a noiseless brown figure brought him something long and cool to drink, she was ready to follow his love story to the end. If the story had no love in it but had the right exotic setting, she would read it, but she preferred a fairly strong love interest. She had not bad taste, and if the story was written for her by Joseph Conrad, so much the better; but she was ready to endure if not to delight in authors of a very different cut from Conrad if they would only give her the jungles and lagoons and coral reefs and mysterious brown faces. The worst story about Malaysia was preferable to the best story about Marylebone.

Then it happened. One night as the rain beat on the slanted kitchen roof a great spirit slipped forever into my life. I held his books in my hands and trembled as he spoke to me of man and the world, of love and wisdom, pain and guilt, and I knew I would never be the same. His name was Fyodor Mikhailovich Dostoyevsky. He knew more of fathers and sons than any man in the world, of brothers and sisters, priests and rogues, guilt and innocence. Dostoyevsky changed me. The Idiot, The Possessed, The Brothers Karamazov, The Gambler. He turned me inside out. I found I could breathe, could see invisible horizons. It was time to become a man, to leave San Elmo and go out into the world. I wanted to think and feel like Dostoyevsky. I wanted to write.

Books, which we mistake for consolation, only add depth to our sorrow.

Reading is going toward something that is about to be, and no one yet knows what it will be.

If one wanted to depict the whole thing graphically, every episode, with its climax, would require a three-dimensional, or, rather, no model: every experience is unrepeatable. What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space.

Don't be amazed if you see my eyes always wandering. In fact, this is my way of reading, and it is only in this way that reading proves fruitful to me. If a book truly interests me, I cannot follow it for more than a few lines before my mind, having seized on a thought that the text suggests to it, or a feeling, or a question, or an image, goes off on a tangent and springs from thought to thought, from image to image, in an itinerary of reasonings and fantasies that I feel the need to pursue to the end, moving away from the book until I have lost sight of it. The stimulus of reading is indispensable to me, and of meaty reading, even if, of every book, I manage to read no more than a few pages. But those few pages already enclose for me whole universes, which I can never exhaust.

In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out:

"...When I only begin to read, I forget I'm on this world. It lifts me on wings with high thoughts." ("Wings")

Friday nodded and took a deep breath. “Has anyone noticed how short attention spans seem to have cast a certain latitude across the nation?”

“Do I ever,” I replied, rolling my eyes and thinking of the endlessly downward clicking of the Read-O-Meter. “No one’s reading books anymore. They seem to prefer the mind numbing spectacle of easily digested trash TV and celebrity tittle-tattle.”

“Exactly,” said Friday. “The long view has been eroded. We can’t see beyond six months, if that, and short-termism will spell our end.”

“’Tis very strange!” he murmured, staring at the sun, trees, houses and traffic in turn. “It would take a rhapsody of wild and whirling words to do justice of all that I witness!”

“You’re going to have to speak English out here.”

“All this,” explained Hamlet, waving his hands at the fairly innocuous Swindon street, “would take millions of words to describe correctly!”

“You’re right. It would. That’s the magic of the book imagino-transference technology,” I told him. “A few dozen words conjure up an entire picture. But in all honesty the reader does most of the work.”

“The reader? What’s it got to do with him?”

“Well, each interpretation of an event, setting or character is unique to each of those who read it because they clothe the author’s description with the memory of their own experiences. Every character they read is actually a complex amalgam of people that they’ve met, read or seen before—far more real than it can ever be just from the text on the page. Because every reader’s experiences are different, each book is unique for each reader.”

Books may look like nothing more than words on a page, but they are actually an infinitely complex imaginotransference technology that translates odd, inky squiggles into pictures inside your head.