Quotes
Remember this too: all bad writers are in love with the epic.
It is always a mistake to know an author.
Prose is architecture, not interior decoration, and the Baroque is over.
A mirror does not develop because an historical pageant passes in front of it. It only develops when it gets a fresh coat of quicksilver — in other words, when it acquires new sensitiveness; and the novel's success lies in its own sensitiveness, not in the success of its subject matter.
If God could tell the story of the Universe, the Universe would become fictitious.
A man does not talk to himself quite truly — not even to himself: the happiness or misery that he secretly feels proceeds from causes that he cannot quite explain, because as soon as he raises them to the level of the explicable they lose their native quality. The novelist has a real pull here. He can show the subconscious short-circuiting straight into action (the dramatist can do this too); he can also show it in its relation to soliloquy. He commands all the secret life, and he must not be robbed of this privilege. "How did the writer know that?" it is sometimes said. "What's his standpoint? He is not being consistent, he's shifting his point of view from the limited to the omniscient, and now he's edging back again." Questions like this have too much the atmosphere of the law courts about them.
Books, the children of the brain.
A book may be very amusing with numerous errors, or it may be very dull without a single absurdity.
There are certain common privileges of a writer, the benefit whereof, I hope, there will be no reason to doubt; particularly, that where I am not understood, it shall be concluded, that something very useful and profound is couched underneath; and again, that whatever word or sentence is printed in a different character, shall be judged to contain something extraordinary either of wit or sublime.
Close thy Byron; open thy Goethe.
O thou who art able to write a Book, which once in the two centuries or oftener there is a man gifted to do, envy not him whom they name City-builder, and inexpressibly pity him whom they name Conqueror or City-burner! Thou too art a Conqueror and Victor; but of the true sort, namely over the Devil: thou too hast built what will outlast all marble and metal, and be a wonder-bringing City of the Mind, a Temple and Seminary and Prophetic Mount, whereto all kindreds of the Earth will pilgrim.
Writers, especially when they act in a body and with one direction, have great influence on the public mind.
