Quotes

  1. The gentle minde by gentle deeds is knowne.

    For a man by nothing is so well bewrayd,

    As by his manners.

  2. Every man's work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself, and the more he tries to conceal himself the more clearly will his character appear in spite of him.

  3. Tito was experiencing that inexorable law of human souls, that we prepare ourselves for sudden deeds by the reiterated choice of good or evil that gradually determines character.

  4. Our deeds determine us, as much as we determine our deeds, and until we know what has been or will be the peculiar combination of outward with inward facts, which constitutes a man’s critical actions, it will be better not to think ourselves wise about his character. There is a terrible coercion in our deeds, which may first turn the honest man into a deceiver and then reconcile him to the change, for this reason — that the second wrong presents itself to him in the guise of the only practicable right. The action which before commission has been seen with that blended common sense and fresh untarnished feeling which is the healthy eye of the soul, is looked at afterwards with the lens of apologetic ingenuity, through which all things that men call beautiful and ugly are seen to be made up of textures very much alike. Europe adjusts itself to a fait accompli, and so does an individual character — until the placid adjustment is disturbed by a convulsive retribution.

  5. A gentleman can live through anything.

  6. The more you are a victim of contradictory impulses, the less you know which to yield to. To lack character — precisely that and nothing more.

  7. The stream of memory is only interrupted by great illnesses, and the stream of conduct, by great passions. Our tastes and inclinations may change, but this change, though it may be sudden enough, is rendered less abrupt by our habits. The skilful artist, in a good colour scheme, contrives so to mingle and blend his tints that the transitions are imperceptible; and certain colour washes are spread over the whole picture so that there may be no sudden breaks. So should it be with our likings. Unbalanced characters are always changing their affections, their tastes, their sentiments; the only constant factor is the habit of change; but the man of settled character always returns to his former habits and preserves to old age the tastes and the pleasures of his childhood.

  8. But granting the usefulness of travel, does it follow that it is good for all of us? Far from it; there are very few people who are really fit to travel; it is only good for those who are strong enough in themselves to listen to the voice of error without being deceived, strong enough to see the example of vice without being led away by it. Travelling accelerates the progress of nature, and completes the man for good or evil. When a man returns from travelling about the world, he is what he will be all his life; there are more who return bad than good, because there are more who start with an inclination towards evil. In the course of their travels, young people, ill-educated and ill-behaved, pick up all the vices of the nations among whom they have sojourned, and none of the virtues with which those vices are associated; but those who, happily for themselves, are well-born, those whose good disposition has been well cultivated, those who travel with a real desire to learn, all such return better and wiser than they went.

  9. I cannot repeat too often that I am not dealing with prodigies. Emile is no prodigy, neither is Sophy. He is a man and she is a woman; this is all they have to boast of. In the present confusion between the sexes it is almost a miracle to belong to one's own sex. Sophy is well born and she has a good disposition; she is very warm-hearted, and this warmth of heart sometimes makes her imagination run away with her. Her mind is keen rather than accurate, her temper is pleasant but variable, her person pleasing though nothing out of the common, her countenance bespeaks a soul and it speaks true; you may meet her with indifference, but you will not leave her without emotion. Others possess good qualities which she lacks; others possess her good qualities in a higher degree, but in no one are these qualities better blended to form a happy disposition. She knows how to make the best of her very faults, and if she were more perfect she would be less pleasing.

  10. I cannot help picturing in the countenance of the young man I have just spoken of an indefinable but unpleasant impertinence, smoothness, and affectation, which is repulsive to a plain man, and in the countenance of my own pupil a simple and interesting expression which indicates the real contentment and the calm of his mind; an expression which inspires respect and confidence, and seems only to await the establishment of friendly relations to bestow his own confidence in return. It is thought that the expression is merely the development of certain features designed by nature. For my own part I think that over and above this development a man's face is shaped, all unconsciously, by the frequent and habitual influence of certain affections of the heart. These affections are shown on the face, there is nothing more certain; and when they become habitual, they must surely leave lasting traces. This is why I think the expression shows the character, and that we can sometimes read one another without seeking mysterious explanations in powers we do not possess.

  11. There are calm and gentle characters which can be led a long way in their first innocence without any danger; but there are also stormy dispositions whose passions develop early; you must hasten to make men of them lest you should have to keep them in chains.

  12. There is another point to be considered which confirms the suitability of this method: it is the child's individual bent, which must be thoroughly known before we can choose the fittest moral training. Every mind has its own form, in accordance with which it must be controlled; and the success of the pains taken depends largely on the fact that he is controlled in this way and no other. Oh, wise man, take time to observe nature; watch your scholar well before you say a word to him; first leave the germ of his character free to show itself, do not constrain him in anything, the better to see him as he really is. Do you think this time of liberty is wasted? On the contrary, your scholar will be the better employed, for this is the way you yourself will learn not to lose a single moment when time is of more value. If, however, you begin to act before you know what to do, you act at random; you may make mistakes, and must retrace your steps; your haste to reach your goal will only take you further from it.