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The same meaning changes with the words which express it. Meanings receive their dignity from words instead of giving it to them.
Certain authors, speaking of their works, say, "My book," "My commentary," "My history," etc. They resemble middle-class people who have a house of their own, and always have "My house" on their tongue. They would do better to say, "Our book," "Our commentary," "Our history," etc., because there is in them usually more of other people's than their own.
It [eloquence] consists, then, in a correspondence which we seek to establish between the head and the heart of those to whom we speak on the one hand, and, on the other, between the thoughts and the expressions which we employ. ...We must put ourselves in the place of those who are to hear us, and make trial on our own heart... We ought to restrict ourselves, so far as possible, to the simple and natural, and not to magnify that which is little, or belittle that which is great. It is not enough that a thing be beautiful; it must be suitable to the subject, and there must be in it nothing of excess or defect.
For after all what is man in nature? A nothing in relation to infinity, all in relation to nothing, a central point between nothing and all and infinitely far from understanding either. The ends of things and their beginnings are impregnably concealed from him in an impenetrable secret. He is equally incapable of seeing the nothingness out of which he was drawn and the infinite in which he is engulfed.
...no one is offended at not seeing everything; but one does not like to be mistaken, and that perhaps arises from the fact that man naturally cannot see everything, and that naturally he cannot err in the side he looks at, since the perceptions of our senses are always true.
Epictetus goes much further when he asks: Why do we not lose our temper if someone tells us that we have a headache, while we do lose it if someone says there is anything wrong with our arguments or our choice?
Those who are accustomed to judge by feeling do not understand the process of reasoning, for they would understand at first sight, and are not used to seek for principles. And others, on the contrary, who are accustomed to reason from principles, do not at all understand matters of feeling, seeking principles, and being unable to see at a glance.
When we wish to correct with advantage, and to show another that he errs, we must notice from what side he views the matter, for on that side it is usually true, and admit that truth to him, but reveal to him the side on which it is false. He is satisfied with that, for he sees that he was not mistaken, and that he only failed to see all sides.
One must know oneself. If this does not serve to discover truth, it at least serves as a rule of life, and there is nothing better.
Man is to himself the most wonderful object in nature; for he cannot conceive what the body is, still less what the mind is, and least of all how a body should be united to a mind. This is the consummation of his difficulties, and yet it is his very being.
Poetical beauty. ...We know well what is the object of mathematics, and that it consists of proofs, and what is the object of medicine, and that it consists of healing. But we do not know in what grace consists, which is the object of poetry.
There is a certain standard of grace and beauty which consists in a certain relation between our nature... and the thing which pleases us.

