Where does any novelist pick up any character? For the most part, in town, to be sure. Every great town is a… — Herman Melville
Where does any novelist pick up any character? For the most part, in town, to be sure. Every great town is a kind of man-show, where the novelist goes for his stock, just as the agriculturist goes to the cattle-show for his. But in the one fair, new species of quadrupeds are hardly more rare, than in the other are new species of characters — that is, original ones. Their rarity may still the more appear from this, that, while characters, merely singular, imply but singular forms so to speak, original ones, truly so, imply original instincts.
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The mind is ductile, very much so: but images, ductilely received into it, need a certain time to harden and bake in their impressions, otherwise such a casualty as I speak of will in an instant obliterate them, as though they had never been. We are but clay, sir, potter's clay, as the good book says, clay, feeble, and too-yielding clay.
To be full of warm, earnest words, and heart-felt protestations, is to create a scene; and well-bred people dislike few things more than that; which would seem to look as if the world did not relish earnestness; but, not so; because the world, being earnest itself, likes an earnest scene, and an earnest man, very well, but only in their place — the stage.
You have hearkened to my story in vain, if you do not see that, however indulgent and right-minded I may seem to you now, that is no guarantee for the future. And into the power of that uncertain personality which, through the mutability of my humanity, I may hereafter become, should not common sense dissuade you, my dear Frank, from putting yourself?
