G. Chesterton

When Christ at a symbolic moment was establishing His great society, He chose for its corner-stone neither the brilliant Paul nor the mystic John, but a shuffler, a snob a coward--in a word, a man. And upon this rock He has built His Church, and the gates of Hell have not prevailed against it. All the empires and the kingdoms have failed, because of this inherent and continual weakness, that they were founded by strong men and upon strong men. But this one thing, the historic Christian Church, was founded on a weak man, and for that reason it is indestructible. For no chain is stronger than its weakest link.

The tendency of that argument is to represent the Irish or the Celts as a strange and separate race, as a tribe of eccentrics in the modern world immersed in dim legends and fruitless dreams. Its tendency is to exhibit the Irish as odd, because they see the fairies. Its trend is to make the Irish seem weird and wild because they sing old songs and join in strange dances. But this is quite an error; indeed, it is the opposite of the truth. It is the English who are odd because they do not see the fairies. It is the inhabitants of Kensington who are weird and wild because they do not sing old songs and join in strange dances. In all this the Irish are not in the least strange and separate, are not in the least Celtic, as the word is commonly and popularly used. In all this the Irish are simply an ordinary sensible nation, living the life of any other ordinary and sensible nation which has not been either sodden with smoke or oppressed by money-lenders, or otherwise corrupted with wealth and science. There is nothing Celtic about having legends. It is merely human.

A man can understand astronomy only by being an astronomer; he can understand entomology only by being an entomologist (or, perhaps, an insect); but he can understand a great deal of anthropology merely by being a man. He is himself the animal which he studies. Hence arises the fact which strikes the eye everywhere in the records of ethnology and folk-lore—the fact that the same frigid and detached spirit which leads to success in the study of astronomy or botany leads to disaster in the study of mythology or human origins. It is necessary to cease to be a man in order to do justice to a microbe; it is not necessary to cease to be a man in order to do justice to men. That same suppression of sympathies, that same waving away of intuitions or guess-work which make a man preternaturally clever in dealing with the stomach of a spider, will make him preternaturally stupid in dealing with the heart of man. He is making himself inhuman in order to understand humanity.

One of the thousand objections to the sin of pride lies precisely in this, that self-consciousness of necessity destroys self-revelation. A man who thinks a great deal about himself will try to be many-sided, attempt a theatrical excellence at all points, will try to be an encyclopaedia of culture, and his own real personality will be lost in that false universalism. Thinking about himself will lead to trying to be the universe; trying to be the universe will lead to ceasing to be anything. If, on the other hand, a man is sensible enough to think only about the universe; he will think about it in his own individual way. He will keep virgin the secret of God; he will see the grass as no other man can see it, and look at a sun that no man has ever known.

A man who has faith must be prepared not only to be a martyr, but to be a fool. It is absurd to say that a man is ready to toil and die for his convictions when he is not even ready to wear a wreath round his head for them. I myself, to take a corpus vile, am very certain that I would not read the works of Comte through for any consideration whatever. But I can easily imagine myself with the greatest enthusiasm lighting a bonfire on Darwin Day.

Every one of the popular modern phrases and ideals is a dodge in order to shirk the problem of what is good. We are fond of talking about "liberty"; that, as we talk of it, is a dodge to avoid discussing what is good. We are fond of talking about "progress"; that is a dodge to avoid discussing what is good. We are fond of talking about "education"; that is a dodge to avoid discussing what is good. The modern man says, "Let us leave all these arbitrary standards and embrace liberty." This is, logically rendered, "Let us not decide what is good, but let it be considered good not to decide it." He says, "Away with your old moral formulae; I am for progress." This, logically stated, means, "Let us not settle what is good; but let us settle whether we are getting more of it." He says, "Neither in religion nor morality, my friend, lie the hopes of the race, but in education." This, clearly expressed, means, "We cannot decide what is good, but let us give it to our children."

Of course, this shrinking from the brutal vivacity and brutal variety of common men is a perfectly reasonable and excusable thing as long as it does not pretend to any point of superiority. It is when it calls itself aristocracy or aestheticism or a superiority to the bourgeoisie that its inherent weakness has in justice to be pointed out.

The weak point in the whole of Carlyle's case for aristocracy lies, indeed, in his most celebrated phrase. Carlyle said that men were mostly fools. Christianity, with a surer and more reverent realism, says that they are all fools. This doctrine is sometimes called the doctrine of original sin. It may also be described as the doctrine of the equality of men. But the essential point of it is merely this, that whatever primary and far-reaching moral dangers affect any man, affect all men. All men can be criminals, if tempted; all men can be heroes, if inspired. And this doctrine does away altogether with Carlyle's pathetic belief (or any one else's pathetic belief) in "the wise few." There are no wise few. Every aristocracy that has ever existed has behaved, in all essential points, exactly like a small mob.

Every man speaks of public opinion, and means by public opinion, public opinion minus his opinion.

The truth is that the tradition of Christianity (which is still the only coherent ethic of Europe) rests on two or three paradoxes or mysteries which can easily be impugned in argument and as easily justified in life. One of them, for instance, is the paradox of hope or faith—that the more hopeless is the situation the more hopeful must be the man. Stevenson understood this, and consequently Mr. Moore cannot understand Stevenson. Another is the paradox of charity or chivalry that the weaker a thing is the more it should be respected, that the more indefensible a thing is the more it should appeal to us for a certain kind of defence. Thackeray understood this, and therefore Mr. Moore does not understand Thackeray. Now, one of these very practical and working mysteries in the Christian tradition, and one which the Roman Catholic Church, as I say, has done her best work in singling out, is the conception of the sinfulness of pride. Pride is a weakness in the character; it dries up laughter, it dries up wonder, it dries up chivalry and energy. The Christian tradition understands this; therefore Mr. Moore does not understand the Christian tradition.

Ultimately a man cannot rejoice in anything except the nature of things. Ultimately a man can enjoy nothing except religion. Once in the world's history men did believe that the stars were dancing to the tune of their temples, and they danced as men have never danced since. With this old pagan eudaemonism the sage of the Rubaiyat has quite as little to do as he has with any Christian variety. He is no more a Bacchanal than he is a saint. Dionysus and his church was grounded on a serious joie-de-vivre like that of Walt Whitman. Dionysus made wine, not a medicine, but a sacrament. Jesus Christ also made wine, not a medicine, but a sacrament. But Omar makes it, not a sacrament, but a medicine. He feasts because life is not joyful; he revels because he is not glad. "Drink," he says, "for you know not whence you come nor why. Drink, for you know not when you go nor where. Drink, because the stars are cruel and the world as idle as a humming-top. Drink, because there is nothing worth trusting, nothing worth fighting for. Drink, because all things are lapsed in a base equality and an evil peace." So he stands offering us the cup in his hand. And at the high altar of Christianity stands another figure, in whose hand also is the cup of the vine. "Drink" he says "for the whole world is as red as this wine, with the crimson of the love and wrath of God. Drink, for the trumpets are blowing for battle and this is the stirrup-cup. Drink, for this my blood of the new testament that is shed for you. Drink, for I know of whence you come and why. Drink, for I know of when you go and where."

It is vain for the supercilious moderns to talk of being in uncongenial surroundings. To be in a romance is to be in uncongenial surroundings. To be born into this earth is to be born into uncongenial surroundings, hence to be born into a romance. Of all these great limitations and frameworks which fashion and create the poetry and variety of life, the family is the most definite and important.