Charles Dickens

Every day, through the stony streets, the tumbrils now jolted heavily, filled with Condemned. Lovely girls; bright women, brown-haired, black-haired, and grey; youths; stalwart men and old; gentle born and peasant born; all red wine for La Guillotine, all daily brought into light from the dark cellars of the loathsome prisons, and carried to her through the streets to slake her devouring thirst. Liberty, equality, fraternity, or death; — the last, much the easiest to bestow, O Guillotine!

"If you hear my voice — I don't know that it is so, but I hope it is — if you hear in my voice any resemblance to a voice that once was sweet music in your ears, weep for it, weep for it! If you touch, in touching my hair, anything that recalls a beloved head that lay on your breast when you were young and free, weep for it, weep for it! If, when I hint to you of a Home that is before us, where I will be true to you with all my duty and with all my faithful service, I bring back the remembrance of a home long desolate, while your poor heart pined away, weep for it, weep for it!"

Above all, one hideous figure grew as familiar as if it had been before the general gaze from the foundations of the world—the figure of the sharp female called La Guillotine.It was the popular theme for jests; it was the best cure for headache, it infallibly prevented the hair from turning grey, it imparted a peculiar delicacy to the complexion, it was the National Razor which shaved close: who kissed La Guillotine, looked through the little window and sneezed into the sack. It was the sign of the regeneration of the human race. It superseded the Cross. Models of it were worn on breasts from which the Cross was discarded, and it was bowed down to and believed in where the Cross was denied.

Only his daughter had the power of charming this black brooding from his mind. She was the golden thread that united him to a Past beyond his misery, and to a Present beyond his misery: and the sound of her voice, the light of her face, the touch of her hand, had a strong beneficial influence with him almost always.

The chateau was left to itself to flame and burn. In the roaring and raging of the conflagration, a red-hot wind, driving straight from the infernal regions, seemed to be blowing the edifice away. With the rising and falling of the blaze, the stone faces showed as if they were in torment. When great masses of stone and timber fell, the face with the two dints in the nose became obscured: anon struggled out of the smoke again, as if it were the face of the cruel Marquis, burning at the stake and contending with the fire.

He had loved Lucie Manette from the hour of his danger. He had never heard a sound so sweet and dear as the sound of her compassionate voice; he had never seen a face so tenderly beautiful, as hers when it was confronted with his own on the edge of the grave that had been dug for him.

He had a healthy colour in his cheeks, and his face, though lined, bore few traces of anxiety. But, perhaps the confidential bachelor clerks in Tellson's Bank were principally occupied with the cares of other people; and perhaps second-hand cares, like second-hand clothes, come easily off and on.

The wind is rushing after us, and the clouds are flying after us, and the moon is plunging after us, and the whole wild night is in pursuit of us; but, so far, we are pursued by nothing else.

Darkness closed around, and then came the ringing of church bells and the distant beating of the military drums in the Palace Courtyard, as the women sat knitting, knitting. Darkness encompassed them. Another darkness was closing in as surely, when the church bells, then ringing pleasantly in many an airy steeple over France, should be melted into thundering cannon; when the military drums should be beating to drown a wretched voice, that night all potent as the voice of Power and Plenty, Freedom and Life. So much was closing in about the women who sat knitting, knitting, that they their very selves were closing in around a structure yet unbuilt, where they were to sit knitting, knitting, counting dropping heads.

O Miss Manette, when the little picture of a happy father's face looks up in yours, when you see your own bright beauty springing up anew at your feet, think now and then that there is a man who would give his life, to keep a life you love beside you!

Feelings! I have no time for them, no chance of them. I pass my whole life, miss, in turning an immense pecuniary Mangle.

"I would ask you, dearest, to be very generous with him always, and very lenient on his faults when he is not by. I would ask you to believe that he has a heart he very, very seldom reveals, and that there are deep wounds in it. My dear, I have seen it bleeding."

"It is a painful reflection to me," said Charles Darnay, quite astounded, "that I should have done him any wrong. I never thought this of him."

"My husband, it is so. I fear he is not to be reclaimed; there is scarcely a hope that anything in his character or fortunes is reparable now. But, I am sure that he is capable of good things, gentle things, even magnanimous things."

She looked so beautiful in the purity of her faith in this lost man, that her husband could have looked at her as she was for hours.

"And, O my dearest Love!" she urged, clinging nearer to him, laying her head upon his breast, and raising her eyes to his, "remember how strong we are in our happiness, and how weak he is in his misery!"