She herself was a victim of that lust for books which rages in the breast like a demon, and which cannot be… — Robertson Davies
She herself was a victim of that lust for books which rages in the breast like a demon, and which cannot be stilled save by the frequent and plentiful acquisition of books. This passion is more common, and more powerful, than most people suppose. Book lovers are thought by unbookish people to be gentle and unworldly, and perhaps a few of them are so. But there are others who will lie and scheme and steal to get books as wildly and unconscionably as the dope-taker in pursuit of his drug. They may not want the books to read immediately, or at all; they want them to possess, to range on their shelves, to have at command. They want books as a Turk is thought to want concubines -- not to be hastily deflowered, but to be kept at their master's call, and enjoyed more often in thought than in reality. Solly was in a measure a victim of this unscrupulous passion, but Freddy was wholly in the grip of it.
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People who talk a lot about their troubles never commit suicide; talk's the greatest safety-valve there is. I always laugh at that bit in Hamlet where he pretends to despise himself because he unpacks his heart with words, and falls a-scolding like a very drab; that's why the soliloquy about suicide is just Hamlet putting on intellectual airs. A chatterbox like that would never pop himself off with a bare bodkin. No, the suicides are the quiet ones, who can't find the words to fit their misery.
Pretence is wonderfully stimulating to the artistic mind, which is why some people lie for fun, rather than from necessity.
But the character of the music emphasized the tale as allegory - humorous, poignant, humane allegory - disclosing the metamorphosis of life itself, in which man moves from confident inexperience through the bitterness of experience, toward the rueful wisdom of self-knowledge.

