I have thought a good deal about trees; I like them. They speak eloquently of the balanced dubiety which I… — Robertson Davies
I have thought a good deal about trees; I like them. They speak eloquently of the balanced dubiety which I told you was the sceptical attitude. No splendid crown without the strong root that works in the dark, drawing its nourishment among the rocks, the soil, hidden waters, and all the little, burrowing things. A man is like that; his splendours and his fruits are to be seen, to win him love and admiration. But what about the root?
Have you ever seen a bulldozer clearing land? It advances upon a great tree and shoves and pushes inexorably until the tree is down and thrust out of the way, and all of that effort is accompanied by a screaming and wrenching sounds from the tree as the great roots are torn from the ground. It is a particularly distressing kind of death. And when the tree is upturned, the root proves to be as big as the crown.
What is the root of man? All sorts of things that nourish his visible part, but the deepest root of all, the tap-root, is that child he once was, of which I spoke to you when I was amusing you with the story of my life. That is the root which goes deepest because it is reaching downward towards the ancestors.
Source: Wikiquote · CC BY-SA 4.0
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There are no great performances without great audiences, and this is the barrier that film and television, by their utmost efforts, cannot cross, for there can be no interaction between what is done, and those to whom it is done. Great theatre, great music-drama, is created again and again on both sides of the footlights.
Catholicism has begotten much great art; Protestantism none at all – not a single painting. But Catholicism has fostered art in the very teeth of Christianity. The Kingdom of Christ, if it ever comes, will contain no art; Christ never showed the least concern with it. His church has inspired much but not because of anything the Master said. Who then was the inspirer? The much-maligned Devil, one supposes. It is he who understands and ministers to man's carnal and intellectual self, and art is carnal and intellectual.
Whoever lives in the finest house in a small Canadian town dwells in a House of Atreus, about which a part of the community harbours the darkest mythical suspicions...In lesser houses there may be fighting, covert abortions, children "touched up" with a hot flat-iron to make them obedient, every imaginable aspect of parsimony, incest, and simple, persistent cruelty, but these are nothing to whatever seems amiss at the Big House.

