Ayn Rand

"You're much worse than a bitch. You're a saint. Which shows why saints are dangerous and undesirable."

"Suffering? I'm not conscious of having shown that."

"You haven't. That's what I meant. No happy person can be quite so impervious to pain."

"There's nothing as significant as a human face. Nor as eloquent. We can never really know another person, except by our first glance at him. Because, in that glance, we know everything. Even though we're not always wise enough to unravel the knowledge. Have you ever thought about the style of a soul, Kiki?"

"The ... what?"

"The style of the soul. Do you remember the famous philosopher who spoke of the style of a civilization? He called it 'style.' He said it was the nearest word he could find for it. He said that every civilization has its one basic principle, one single, supreme, determining conception, and every endeavor of men within that civilization is true, unconsciously and irrevocably, to that one principle.... I think, Kiki, that every human soul has a style of its own, also. Its one basic theme. You'll see it reflected in every thought, every act, every wish of that person. The one absolute, the one imperative in that living creature. Years of studying a man won't show it to you. His face will. You'd have to write volumes to describe a person. Think of his face. You need nothing else."

"That sounds fantastic, Ellsworth. And unfair, if true. It would leave people naked before you."

"It's worse than that. It also leaves you naked before them. You betray yourself by the manner in which you react to a certain face."

"Why do you want me to think that this is great architecture?" He pointed to the picture of the Parthenon.

"That," said the Dean, "is the Parthenon!"

"So it is."

"I haven't the time to waste on silly questions."

"All right, then." Roark got up, he took a long ruler from the desk, he walked to the picture. "Shall I tell you what's rotten about it?"

"It’s the Parthenon!" said the Dean.

"Yes, God damn it, the Parthenon."

The ruler struck the glass over the picture.

"Look, " said Roark. "The famous flutings on the famous columns—what are they there for? To hide the joints in the wood—when columns were made of wood, only these aren't, they're marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why?"

"It's good to suffer. Don't complain. Bear, bow, accept—and be grateful that God has made you suffer. For this makes you better than the people who are laughing and happy. If you don't understand this, don't try to understand. Everything bad comes from the mind, because the mind asks too many questions. It is blessed to believe, not to understand. So if you didn't get passing grades, be glad of it. It means that you are better than the smart boys who think too much and too easily."

"Here are my rules: what can be done with one substance must never be done with another. No two materials are alike. No two sites on earth are alike. No two buildings have the same purpose. The purpose, the site, the material determine the shape. Nothing can be reasonable or beautiful unless it's made by one central idea, and the idea sets every detail. A building is alive, like a man. Its integrity is to follow its own truth, its one single theme, and to serve its own single purpose. A man doesn't borrow pieces of his body. A building doesn't borrow hunks of its soul. Its maker gives it the soul and every wall, window and stairway to express it."

"We must not think. We must believe. Believe, Katie, even if your mind objects. Don't think. Believe. Trust your heart, not your brain. Don't think. Feel. Believe."

"Get the hell out of my way!"

"Never think of pain or danger or enemies a moment longer than is necessary to fight them."

"People think that a liar gains a victory over his victim. What I've learned is that a lie is an act of self-abdication, because one surrenders one's reality to the person to whom one lies, making that person one's master, condemning oneself from then on to faking the sort of reality that person's view requires to be faked. And if one gains the immediate purpose of the lie - the price one pays is the destruction of what the gain was intended to serve. The man who lies to the world is the world's slave from then on."

"In any compromise between food and poison, it is only death that can win. In any compromise between good and evil, it is only evil that can profit."

"'I will put an end to this, once and for all,' he said. His voice was clear and without feeling. That was all he said and started to walk out. He walked down the length of the place, in the white light, not hurrying and not noticing any of us. Nobody moved to stop him. Gerald Starnes cried suddenly after him, 'How?' He turned and answered, 'I will stop the motor of the world.' Then he walked out."