Book cover: A Clockwork Orange

Book cover

Penguin

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Book cover

A Clockwork Orange

Anthony Burgess

Quotes

  1. "The attempt to impose upon man, a creature of growth and capable of sweetness, to ooze juicily at the last round the bearded lips of God, to attempt to impose, I say, laws and conditions appropriate to a mechanical creation, against this I raise my sword-pen."

  2. "Initiative comes to them as wait."

  3. There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, Dim being really dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening.

  4. "I creeched louder still, creeching: 'Am I just to be like a clockwork orange?'"

  5. Choice... He has no real choice, has he? Self-interest, the fear of physical pain drove him to that grotesque act of self-abasement. Its insincerity was clearly to be seen. He ceases to be a wrongdoer. He ceases also to be a creature capable of moral choice.

  6. "When a man cannot choose, he ceases to be a man."

  7. "Well, well, well, well. If it isn't fat, stinking billygoat Billy-Boy in poison. How art thou, thou globby bottle of cheap, stinking chip-oil? Come and get one in the yarbles, if you have any yarbles, you eunuch jelly thou."

  8. "A lot of idiots you are, selling your own birthright for a saucer of cold porridge! The thrill of theft! Of violence! The urge to live easy! Well, I ask you what is it worth when we have undeniable truth, yes, incontrovertible evidence that Hell exists."

  9. "Come with uncle," I said, "and hear all proper. Hear angel trumpets and devil trombones. You are invited."

  10. "But I'm warning you, little Alex, being a good friend to you as always, the one man in this sore and sick community who wants to save you from yourself."

  11. Naughty, Naughty, Naughty you filthy ol' soomka!

  12. My son, my son. When I had my son I would explain all that to him when he was starry enough to like understand. But then I knew he would not understand or would not want to understand at all and would do all the veshches [things] I had done...and I would not be able to really stop him. And nor would he be able to stop his own son, brothers. And so it would itty on to like the end of the world.

  13. “Padre, these are subtleties. We’re not concerned with motives, with the higher ethics. We are concerned only with cutting down crime--and. . .with relieving the ghastly congestion in our prisons. He will be your true Christian: ready to turn the other cheek, ready to be crucified rather than crucify, sick to the very heart at the thought even of killing a fly! Reclamation! Joy before the angels of God! The point is that it works.”

  14. "What we were after now was the old surprise visit. That was a real kick and good for laughs and lashings of the old ultraviolence."

  15. "Oh bliss, bliss and heaven... Oh, it was gorgeousness and gorgeousity made flesh... And then, a bird of rarest-spun heaven metal, or like silvery wine flowing in a spaceship, gravity all nonsense now... I knew such lovely pictures" (This was said while listening to a violin concerto by Geoffrey Plautus, played by Odysseus Choerilos)

  16. You needn't take it any further, sir. You've proved to me that all this ultraviolence and killing is wrong, wrong, and terribly wrong. I've learned me lesson, sir. I've seen now what I've never seen before. I'm cured! Praise Bog! I'm cured!

  17. Welly, welly, welly, welly, welly, welly, well. To what do I owe the extreme pleasure of this surprising visit?

  18. "He's young, bold, vicious. Brodsky will deal with him tomorrow and you can sit in and watch Brodsky. It works all right, don't you worry about that. This young hoodlum will be transformed out of all recognition."

  19. "The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultraviolence."

  20. "Does God want goodness or the choice of goodness? Is a man who chooses to be bad perhaps in some way better than a man who has the good imposed upon him?

  21. Let's get things nice and sparkling clear. This sarcasm - if I may call it such, is very unbecoming of you oh my brothers

  22. "There was a man. . .a writer of subversive literature."

  23. [To Alex as a Police Officer] Long time is right, I don't remember them days too horrorshow. Don't call me Dim no more either, Officer call me.

  24. "Suddenly, I viddied what I had to do, and what I had wanted to do, and that was to do myself in; to snuff it, to blast off for ever out of this wicked, cruel world. One moment of pain perhaps and, then, sleep forever, and ever and ever."

  25. "Don't you laugh, damn you, don't you laugh!"

  26. "It’s funny how the colours of the real world only seem really real when you viddy them on the screen."

  27. “We study the problem and we’ve been studying it for damn well near a century, yes, but we get no further with our studies. You’ve got a good home here, good loving parents. You’ve got not too bad of a brain. Is it some devil that crawls inside of you?”

  28. "One thing I could never stand was to see a filthy dirty old drunky howling away at the filthy songs of his fathers and going blurp blurp in between as it might be a filthy old orchestra in his stinking rotten guts;I could never stand to see anyone like that. whatever his age might be, but more especially when he was real old like this one was.

  29. "Then I looked at its top sheet, and there was the name -A CLOCKWORK ORANGE- and I said: 'That's a fair gloopy title. Who ever heard of a clockwork orange?'

  30. “The common people will let it go. Oh yes, they’ll sell liberty for a quieter life. That is why they must be led, sir, driven, pushed!”

  31. [About Alex] What natural right does he have to think he can give the orders and tolchock me whenever he likes? Yarbles is what I say to him, and I'd chain his glazzies out soon as look.

  32. "Have you some new torture for me, you bratchny?"

  33. 'What's it going to be then, eh?'

  34. That’s what it’s going to be then, brothers, as I come to the like end of this tale. You have been everywhere with your little droog Alex, suffering with him, and you have viddied some of the most grahzny bratchnies old Bog ever made, all on to your old droog Alex. And all it was was that I was young. But now as I end this story, brothers, I am not young, not no longer, oh no. Alex like groweth up, oh yes.

  35. Oh, it was gorgeosity and yumyumyum. When it came to the Scherzo I could viddy myself very clear running and running on like very light and mysterious nogas, carving the whole litso of the creeching world with my cut-throat britva. And there was the slow movement and the lovely last singing movement still to come. I was cured all right.

  36. There was no real need...of crasting any more pretty polly to tolchock some old veck in an alley and viddy him swim in his blood while we counted the takings and divided by four, nor to do the ultra-violent on some shivering starry grey-haired ptitsa in a shop and go smecking off with the till’s guts.

  37. 'My darling one....I shall be thinking of you while you are away and hope you will remember to wrap up warm when you go out at night.'

  38. But where I itty now, O my brothers, is all on my oddy knocky, where you cannot go. Tomorrow is all like sweet flowers and the turning vonny earth and the stars and the old Luna up there and your old droog Alex all on his oddy knocky seeking like a mate. And all that cal. A terrible grahzny vonny world, really, O my brothers. And so farewell from your little droog. And to all others in this story profound shooms of lip music brrrrr. And they can kiss my sharries. But you, O my brothers, remember sometimes thy little Alex that was. Amen. And all that cal.

  39. They saw themselves, you could see, as real grown-up devotchkas already, what with the old hipswing when they saw your Faithful Narrator, brothers, and padded groodies and red all ploshed on their goobers....They viddied themselves as real sophistoes....They had the same ideas or lack of, and the same colour hair — a like dyed strawy. Well, they would grow up real today....No school this afterlunch, but education certain, Alex as teacher.

  40. There was Your Humble Narrator Alex coming home from work to a good hot plate of dinner, and there was this ptitsa all welcoming and greeting like loving....I had this sudden very strong idea that if I walked into the room next to this room where the fire was burning away and my hot dinner laid on the table, there I should find what I really wanted....For in that other room in a cot was laying gurgling goo goo goo my son....I knew what was happening, O my brothers. I was like growing up.

  41. 'The Government cannot be concerned any longer with outmoded penological theories....Common criminals...can best be dealt with on a purely curative basis. Kill the criminal reflex, that’s all.'

  42. There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, Dim being really dim, and we sat in the Korova Milkbar making up rassoodocks what to do with the evening, a flip dark chill winter bastard though dry. The Korova Milkbar was a milk-plus mesto, and you may, O my brothers, have forgotten what these mestos were like, things changing so skorry these days, and everybody very quick to forget, newspapers not being read much neither.

  43. [Youth] is only being in a way like it might be an animal. No, it is not just like being an animal so much as being like one of these malenky toys you viddy being sold in the streets, like little chellovecks made out of tin and with a spring inside and then a winding handle on the outside and you wind it up grrr grrr grrr and off it itties, like walking, O my brothers. But it itties in a straight line and bangs straight into things bang bang and it cannot help what it is doing. Being young is like being like one of these malenky machines.

  44. Now we were the very good malchicks, smiling good evensong to one and all, though these wrinkled old lighters started to get all shook, their veiny old rookers all trembling round their glasses, and making the suds spill on the table. 'Leave us be, lads,' said one of them, her face all mappy with being a thousand years old, 'we’re only poor old women.'

  45. The four of us were dressed in the height of fashion, which in those days was a pair of black very tight tights with the old jelly mould, as we called it, fitting on the crotch underneath the tights, this being to protect and also a sort of a design you could viddy clear enough in a certain light, so that I had one in the shape of a spider. Pete had a rooker (a hand, that is), Georgie had a very fancy one of a flower, and poor old Dim had a very hound-and-horny one of a clown's litso (face, that is). Dim not ever having much of an idea of things and being, beyond all shadow of a Doubting Thomas, the dimmest of we four. Then we wore waisty jackets without lapels but with these very big built-up shoulders ('pletchoes' we called them) which were a kind of a mockery of having real shoulders like that. Then, my brothers, we had these off-white cravats which looked like whipped-up kartoffel or spud with a sort of a design made on it with a fork. We wore our hair not too long and we had flip horrorshow boots for kicking.

  46. 'Prison religion'...

  47. Pete held his rookers and Georgie sort of hooked his rot wide open for him and Dim yanked out his false zoobies, upper and lower. He threw these down on the pavement and then I treated them to the old boot-crush, though they were hard bastards like. . . . The old veck began to make sort of chumbling shooms — “wuf waf wof” — so Georgie let go of holding his goobers apart and just let him have one in the toothless rot with his ringy fist, and that made the old veck start moaning a lot then, then out comes the blood, my brothers, real beautiful.

That’s all the quotes.

47 quotes in the collection · come back when we add more