Quotes
A kind and gentle heart he had,
To comfort friends and foes;
The naked every day he clad
When he put on his clothes.
The premises being thus settled, I proceed to observe that the concatenation of self-existence, proceeding in a reciprocal duplicate ratio, naturally produces a problematical dialogism, which in some measure proves that the essence of spirituality may be referred to the second predicable.
The man recovered of the bite,
The dog it was that died.
No man who has once heartily and wholly laughed can be altogether irreclaimably bad.
Humor is a survival tool.
The ultimate sexist put-down: the prick which lies down on the job.
The truth is, as I have said, that in this sense the two qualities of fun and seriousness have nothing whatever to do with each other, they are no more comparable than black and triangular. Mr. Bernard Shaw is funny and sincere. Mr. George Robey is funny and not sincere. Mr. McCabe is sincere and not funny. The average Cabinet Minister is not sincere and not funny.
There are three distinct classes of great satirists who are also great men—that is to say, three classes of men who can laugh at something without losing their souls. The satirist of the first type is the man who, first of all enjoys himself, and then enjoys his enemies. In this sense he loves his enemy, and by a kind of exaggeration of Christianity he loves his enemy the more the more he becomes an enemy. He has a sort of overwhelming and aggressive happiness in his assertion of anger; his curse is as human as a benediction. Of this type of satire the great example is Rabelais.
Mr. McCabe thinks that I am not serious but only funny, because Mr. McCabe thinks that funny is the opposite of serious. Funny is the opposite of not funny, and of nothing else. The question of whether a man expresses himself in a grotesque or laughable phraseology, or in a stately and restrained phraseology, is not a question of motive or of moral state, it is a question of instinctive language and self-expression.
In short, Mr. McCabe is under the influence of a primary fallacy which I have found very common in men of the clerical type. Numbers of clergymen have from time to time reproached me for making jokes about religion; and they have almost always invoked the authority of that very sensible commandment which says, "Thou shalt not take the name of the Lord thy God in vain." Of course, I pointed out that I was not in any conceivable sense taking the name in vain. To take a thing and make a joke out of it is not to take it in vain. It is, on the contrary, to take it and use it for an uncommonly good object. To use a thing in vain means to use it without use. But a joke may be exceedingly useful; it may contain the whole earthly sense, not to mention the whole heavenly sense, of a situation. And those who find in the Bible the commandment can find in the Bible any number of the jokes.
For (if I may pursue the too flattering parallel) Mr. McCabe thinks of the Alhambra and of my articles as two very odd and absurd things, which some special people do (probably for money) in order to amuse him. But if he had ever felt himself the ancient, sublime, elemental, human instinct to dance, he would have discovered that dancing is not a frivolous thing at all, but a very serious thing. He would have discovered that it is the one grave and chaste and decent method of expressing a certain class of emotions. And similarly, if he had ever had, as Mr. Shaw and I have had, the impulse to what he calls paradox, he would have discovered that paradox again is not a frivolous thing, but a very serious thing. He would have found that paradox simply means a certain defiant joy which belongs to belief. I should regard any civilization which was without a universal habit of uproarious dancing as being, from the full human point of view, a defective civilization. And I should regard any mind which had not got the habit in one form or another of uproarious thinking as being, from the full human point of view, a defective mind. It is vain for Mr. McCabe to say that a ballet is a part of him. He should be part of a ballet, or else he is only part of a man. It is in vain for him to say that he is "not quarrelling with the importation of humour into the controversy." He ought himself to be importing humour into every controversy; for unless a man is in part a humorist, he is only in part a man. To sum up the whole matter very simply, if Mr. McCabe asks me why I import frivolity into a discussion of the nature of man, I answer, because frivolity is a part of the nature of man. If he asks me why I introduce what he calls paradoxes into a philosophical problem, I answer, because all philosophical problems tend to become paradoxical. If he objects to my treating of life riotously, I reply that life is a riot. And I say that the Universe as I see it, at any rate, is very much more like the fireworks at the Crystal Palace than it is like his own philosophy. About the whole cosmos there is a tense and secret festivity—like preparations for Guy Fawkes' day. Eternity is the eve of something. I never look up at the stars without feeling that they are the fires of a schoolboy's rocket, fixed in their everlasting fall.
And they beheld Him even Him, ben Bloom Elijah, amid clouds of angels ascend to the glory of the brightness at an angle of fortyfive degrees over Donohoe's in Little Green Street like a shot off a shovel.
