Iconography becomes even more revealing when processes or concepts, rather than objects, must be depicted—for… — Stephen Jay Gould
Iconography becomes even more revealing when processes or concepts, rather than objects, must be depicted—for the constraint of a definite “thing” cedes directly to the imagination. How can we draw “evolution” or “social organization,” not to mention the more mundane “digestion” or “self-interest,” without portraying more of a mental structure than a physical reality? If we wish to trace the history of ideas, iconography becomes a candid camera trained upon the scholar's mind.
p. 428Source: Wikiquote · CC BY-SA 4.0
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Contingency is rich and fascinating; it embodies an exquisite tension between the power of individuals to modify history and the intelligible limits set by laws of nature. The details of individual and species's lives are not mere frills, without power to shape the large-scale course of events, but particulars that can alter entire futures, profoundly and forever.
p. 77
[W]e do live in a conceptual trough that encourages such yearning for unknown and romanticized greener pastures of other times. The future doesn't seem promising, if only because we can extrapolate some disquieting present trends into further deterioration: pollution, nationalism, environmental destruction, and aluminum bats. Therefore, we tend to take refuge in a rose-colored past […]. I do not doubt the salutary, even the essential, properties of this curiously adaptive human trait, but we must also record the down side. Legends of past golden ages become impediments when we try to negotiate our current dilemma.
p. 206
Perhaps I am just a hopeless rationalist, but isn't fascination as comforting as solace? Isn't nature immeasurably more interesting for its complexities and its lack of conformity to our hopes? Isn't curiosity as wondrously and fundamentally human as compassion?
p. 324
