Søren Kierkegaard

Quotes

  1. You see, there is an Either/Or here. … if you want to go on amusing your soul with the trifling of wittiness and the vainglory of the intellect, then do so. Leave your home, emigrate, go to Paris, devote yourself to journalism, court the smiles of languid women, cool their hot blood with the chill of your wit, let it be your life’s proud task to dispel an idle woman’s boredom or the gloomy thoughts of a burned out sensualist; forget that you were a child, that there was piety in your soul and innocence in your thoughts; muffle every lofty voice in your heart, loaf your life away in the glittering wretchedness of social gatherings; forget that there is an immortal spirit within you, torture the last farthing out of you soul; … But if you cannot do that, if you do not want to do that-and that you neither can not will-then pull yourself together, stifle every rebellious thought that would have the audacity to commit high treason against your better nature, disdain all that paltriness that would envy your intellectual gifts and desire them for itself in order to put them to even worse use; disdain the hypocritical virtue that is unwilling to carry the burdens of life and yet wants to be eulogized for carrying it; but do not therefore distain life, respect every decent effort, every modest activity that humbly conceals itself, and above all have a little more respect for women…. if you cannot control yourself, you will scarcely find anyone else who is able to do it.

    p. 206

    Book cover: Either/OrEither/Or
  2. There is nothing more dangerous to me than remembering. The moment I have remembered some life-relationship that moment it ceased to exist. People say that separation, tends to revive love. Quite true, but it revives it in a purely poetic manner. The life that is lived wholly in memory is the most perfect conceivable, the satisfactions of memory are richer than any reality, and have a security that in no reality possesses. A remembered life-relations has already passed into eternity, and ha no more temporal interest.

    p. 32

    Book cover: Either/OrEither/Or
  3. … what does it mean to commit oneself to love? Where is the boundary? When have I fulfilled my duty? In what, more closely defined, does my duty consist? In case of doubt, to what council can I apply? And if I cannot fulfill my duty, where is the authority to compel me? State and Church have indeed set a certain limit, but even though I do not go to the extreme, can I not therefore be a bad husband? Who will punish me? Who will stand up for her who is the victim? Answer: you yourself.

    p. 150

    Book cover: Either/OrEither/Or
  4. Since boredom advances and boredom is the root of all evil, no wonder, then, that the world goes backwards, that evil spreads. This can be traced back to the very beginning of the world. The gods were bored; therefore they created human beings. Adam was bored because he was alone; therefore Eve was created. Since that moment, boredom entered the world and grew in quantity in exact proportion to the growth of population. Adam was bored alone; then Adam and Eve were bored en famille. After that, the population of the world increased and the nations were bored en masse. To amuse themselves, they hit upon the notion of building a tower so high that it would reach the sky. This notion is just as boring as the tower was high and is a terrible demonstration of how boredom had gained the upper hand. Then they were dispersed around the world, just as people now travel abroad, but they continued to be bored. And what consequences this boredom had: humankind stood tall and fell far, first through Eve, then from the Babylonian tower.

    p. 286

    Book cover: Either/OrEither/Or
  5. There is a restlessness in you over which consciousness nevertheless hovers, bright and clear; your whole soul is concentrated upon this single point, your understanding contrives a hundred plans; you arrange everything for the attack, but it miscarries at a single point, and then your almost diabolical dialectic is instantly ready to explain what happened in such a way that it will benefit the new plan of operation.

    p. 11

    Book cover: Either/OrEither/Or
  6. When you are sitting in a theater, intoxicated with esthetic pleasure, then you have the courage to require of the poet that he let the esthetic win out over all wretchedness. It is the only consolation that remains, and, what is even more unmanly, it is the consolation that you take, you to whom life has not provided the occasion to test your strength. You, then, are impoverished and unhappy, just like the hero and the heroine in the play, but you also have pathos, courage, a round mouth from which eloquence gushes, and a vigorous arm. You and your kind conquer, you applaud the actor, and the actor is yourselves and the applause from the pit is for you, for you are indeed the hero and the actor. In dreams, in the nebulous world of esthetics, there you are heroes. I do not care very much for the theater, and as far as I am concerned you and your kind can mock as much as you like. Just let the histrionic heroes succumb or let them be victorious, sink through the floor or vanish through the ceiling-I am not greatly moved. But if it is true, as you teach and declaim to life, that it takes far fewer adversities to make a person a slave so that he walks with his head hanging down and forgets that he, too, is created in God’s image, then may it be your just punishment. God grant, that all playwrights compose nothing but tearjerking plays, full of all possible anxiety and horror that would not allow your flabbiness to rest on the cushioned theater seats and let you be perfumed with supranatural power but would horrify you until in the world of actuality you learn to believe in that which you want to believe in only in poetry.

    p. 122

    Book cover: Either/OrEither/Or
  7. A fire broke out backstage in a theatre. The clown came out to warn the public; they thought it was a joke and applauded. He repeated it; the acclaim was even greater. I think that's just how the world will come to an end: to the general applause of wits who believe it's a joke.

    p. 241

    Book cover: Either/OrEither/Or
  8. When I was young, I forgot how to laugh in the cave of Trophonius; when I was older, I opened my eyes and beheld reality, at which I began to laugh, and since then, I have not stopped laughing. I saw that the meaning of life was to secure a livelihood, and that its goal was to attain a high position; that love’s rich dream was marriage with an heiress; that friendship’s blessing was help in financial difficulties; that wisdom was what the majority assumed it to be; that enthusiasm consisted in making a speech; that it was courage to risk the loss of ten dollars; that kindness consisted in saying, “You are welcome,” at the dinner table; that piety consisted in going to communion once a year. This I saw, and I laughed.

    p. 33

    Book cover: Either/OrEither/Or
  9. Should anyone be called upon to say that the tragic always remains the tragic, I should in a sense have no objection to make, in so far as every historical evolution always remains in the sphere of the concept. On the supposition that his statement has meaning, and that the two-fold repetition of the word tragic is not to be regarded as constituting a meaningless parenthesis enclosing an empty nothing, then the meaning must be this, that the content of the concept does not dethrone the concept but enriches it.

    p. 137

    Book cover: Either/OrEither/Or
  10. One must be very naive to believe that it will do any good to cry out and shout in the world, as if that would change one's fate. Better take things as they come, and make no fuss.

    Book cover: Either/OrEither/Or
  11. When the muse summoned them, she beckoned them away from the world, and they now listen only to her voice, and the wealth of thought lies open before them, but so overpoweringly that although every word stands out clearly and vividly, it seems to them as if it were not their own property. When, then, consciousness has so come to itself that it possesses the entire content, then the moment has arrived which contains the possibility of real creation; and yet something is missing; missing is the occasion, which one might say is equally necessary, although in another sense, it is infinitely insignificant. Thus it has pleased the gods to join the greatest contradictions together. This is a mystery in which reality abounds, a stumbling block to the Jews, and to the Greeks foolishness. The occasion is always the accidental, and thus is the tremendous paradox, that the accidental is just as absolutely necessary as the necessary. The occasion is not in the ideal sense the accidental, as when I logically think the accidental; but the occasion is, irrationally regarded, the accidental, and yet in this accidentality, the necessary.

    p. 231

    Book cover: Either/OrEither/Or
  12. The unhappy person is one who has his ideal, the content of his life, the fullness of his consciousness, the essence of his being, in some manner outside of himself. He is always absent, never present to himself. But it is evident that it is possible to absent from one’s self either in the past or in the future. This, then, at once circumscribes the entire territory of the unhappy consciousness. For this rigid limitation we are grateful to Hegel; and now, since we are not merely philosophers beholding the kingdom from afar, we shall as native inhabitants give our attention in detail to the various types which are implied herein. The unhappy person is consequently absent. But one is absent when living either in the past or in the future. The form of expression must here be carefully noted; for it is clear, as philology also teaches us, that there is a tense which expresses presence in the past, and a tense which expresses presence in the future; but the same science also teaches us that there is a tense which is plus quam perfectum, in which there is no present, as well as a futurum exactum of an analogous character. Now there are some individuals who live in hope, and others who live in memory. These are indeed in a sense unhappy individuals; in so far, namely as they live solely in hope or in memory, if ordinarily only he is happy who is present to himself. However, one cannot in a strict sense be called an unhappy individual, now is present in hope or in memory. That which here must be emphasized is that he is present to himself in one or the other of these forms of consciousness. We shall also see from this that a single blow, be it ever so heavy, cannot possibly make a man the unhappiest of all. For one blow can either deprive him of hope, thereby leaving him present in memory, or of memory, thus leaving him present in hope.

    p. 220

    Book cover: Either/OrEither/Or