What is really disturbing about The Name of the Rose, however, is the underlying belief in the liberating… — Slavoj Žižek
What is really disturbing about The Name of the Rose, however, is the underlying belief in the liberating, anti-totalitarian force of laughter, of ironic distance. Our thesis here is almost the exact opposite of the underlying premise of Eco's novel: in contemporary socities, democratic or totalitarian, that cynical distance, laughter, irony, are so to speak, part of the game. The ruling ideology is not meant to be taken seriously or literally. Perhaps the greatest danger for totalitarianism is people who take ideology seriously.
p. 27Source: Wikiquote · CC BY-SA 4.0
More from this book
'Father, why is the sky blue?' - the child is not really interested in the sky as such; the real stake of the question is to expose father's impotence, his helplessness in the face of the hard fact, to present the whole chain of reasons leading to it. The blue of the sky thus becomes not only the father's problem, but in a way even his fault. The sky is blue, and you're just staring at it like an idiot incapable of doing anything about it!
Memento mori should be read: don't forget to die.
What is at stake here is precisely the problem of the fulfillment of desire: when we encounter in reality an object which has all the properties of the fantasized object of desire, we are nevertheless necessarily somewhat disappointed; we experience a certain this is not it; it becomes evident that the finally found real object is not the reference of desire even though it possesses all the required properties.
