War was simply a slaughterhouse on wheels, he thought. For most men, soldiering was tragedy expressed as a… — Simon Sebag Montefiore

‘Do you know Ovid’s poems on love?’ she said. ‘He wrote that the bedroom is the only place where you can do exactly what you please, and truly be yourself.’

Nikolasha and Rosa had died for the romantic delusion: totalitarian love as reckless melodrama and desperate possession, an orchestra of trumpets and thunderbolts. Now he saw clearly that the real poetry of love was a meandering river, an accumulation of accidents, the momentum of details.

He hated Genrikh because true possession is to share the fabric of someone else’s life, he decided; it’s about proximity; love as geography.