But like everybody else, as Hollier says, I live in a muddle of eras, and some of my ideas belong to today… — Robertson Davies
But like everybody else, as Hollier says, I live in a muddle of eras, and some of my ideas belong to today, and some to an ancient past, and some to periods of time that seem more relevant to my parents than to me. If I could sort them and control them I might know better where I stand, but when I most want to be contemporary the Past keeps pushing in, and when I long for the Past … the Present cannot be pushed away.
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There are no great performances without great audiences, and this is the barrier that film and television, by their utmost efforts, cannot cross, for there can be no interaction between what is done, and those to whom it is done. Great theatre, great music-drama, is created again and again on both sides of the footlights.
Catholicism has begotten much great art; Protestantism none at all – not a single painting. But Catholicism has fostered art in the very teeth of Christianity. The Kingdom of Christ, if it ever comes, will contain no art; Christ never showed the least concern with it. His church has inspired much but not because of anything the Master said. Who then was the inspirer? The much-maligned Devil, one supposes. It is he who understands and ministers to man's carnal and intellectual self, and art is carnal and intellectual.
Whoever lives in the finest house in a small Canadian town dwells in a House of Atreus, about which a part of the community harbours the darkest mythical suspicions...In lesser houses there may be fighting, covert abortions, children "touched up" with a hot flat-iron to make them obedient, every imaginable aspect of parsimony, incest, and simple, persistent cruelty, but these are nothing to whatever seems amiss at the Big House.
