I have said that an American Indian myth is a particular kind of story, requiring supernatural or nonordinary… — Paula Gunn Allen
I have said that an American Indian myth is a particular kind of story, requiring supernatural or nonordinary figures as characters. Further, a myth relies on mystical or metaphysically charged symbols to convey its significance, and the fact of the mystical and the teleological nature of myth is embodied in its characteristic devices; the supernatural characters, the nonordinary events, the transcendent powers, and the pourquoi elements all indicate that something sacred is going on. On literal levels of analysis, the myth tells us what kind of story it is. It focuses our attention on the level of consciousness it relates to us and relates us to. Having engaged our immediate participation on its own level, the myth proceeds to re-create and renew our ancient relationship to the universe that is beyond the poverty-stricken limits of the everyday.
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Our heart is in the sky. We understand that woman is the sun and the earth: she is grandmother; she is mother; she is Thought, Wisdom, Dream, Reason, Tradition, Memory, Deity, and Life itself.
It might be said that the basic purpose of any culture is to maintain the ideal status quo. What creates differences among cultures and literatures is the way in which the people go about this task, and this in turn depends on, and simultaneously maintains, basic assumptions about the nature of life and humanity’s place in it. The ideal status quo is generally expressed in terms of peace, prosperity, good health, and stability.
In the myth, and especially the mythopoeic vision that gives it birth, past, present, and future are one, and the human counterparts of these—ancestors, contemporaries, and descendents—are also one. Conscious and unconscious are united through the magic of symbolic progression so that the symbols can convey direct, rational meanings and stir indirect memories and insights that have not been raised to conscious articulation. In mythopoeic vision and its literary counterparts, the near and the far must come together, for in its grasp we stand in a transcendent landscape that incorporates both. Lastly, the mythic heals, it makes us whole. For in relating our separate experiences to one another, in weaving them into coherence and therefore significance, a sense of wholeness arises, a totality which, by virtue of our active participation, constitutes direct and immediate comprehension of ourselves and the universe of which we are integral parts.
