‘Oh, don't always pertend you don't know what I'm talkin' about,’ she persisted, ‘a woman is the downfall of… — Nelson Algren
‘Oh, don't always pertend you don't know what I'm talkin' about,’ she persisted, ‘a woman is the downfall of every man 'n a man is the downfall of every woman. You're my downfall 'n I'm yours. [...] What I mean is there's nuttin' deader'n a dead love,’ she told him sternly, ‘nuttin' deader.’ / ‘Sure there is,’ he assured her lightly, ‘dead people. They're deader'n anybody.’
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What did it mean that all the guilty felt so certain of their own innocence while he felt so uncertain of his own? It was patently wrong that men locked up by the law should laugh while the man who locked them there no longer felt able even to cry. As if those caged there had learned secretly that all men are innocent in a way no captain might ever understand.
He was simply a man who didn't know what to do with himself, for he didn't yet know who he was. It's sometimes easier to find a job than to find oneself and John hadn't yet gotten around to doing the first. How could he know who he was? Some find themselves through joy, some through suffering and some through toil. Johnny had till now tried nothing but whisky. A process which left him feeling like somebody new every day. / [...] He was many men and no man at all. He was a hysterical little bundle of possibilities that could never come true.
‘He was just so afraid he wasn't good enough for me, that's all his braggin' was,’ Violet explained. ‘He didn't think he was good enough for anybody, he was tryin' so hard to show he was somebody. So it was up to me to show him he was somebody all by hisself – that's the first thing a woman got to do for a man. 'N of course there's no sense tryin' to prove somethin' like that standin' up. The least a girl owes to herself is to be comfortable about it.’
