Neil Gaiman

No man, proclaimed Donne, is an Island, and he was wrong. If we were not islands, we would be lost, drowned in each other’s tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature, and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived, and then, by some means or another, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes — forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There’s not a chance you’d mistake one for another, after a minute’s close inspection), but still unique.

"This isn’t about what is," said Mr. Nancy. "It’s about what people think is. It’s all imaginary anyway. That’s why it’s important. People only fight over imaginary things."

"This is a bad land for gods," said Shadow. As an opening statement it wasn't Friends, Romans, countrymen, but it would do. "You've probably all learned that. The old gods are ignored. The new gods are as quickly taken up as they are abandoned, cast aside for the next big thing. Either you've been forgotten, or you're scared you're going to be rendered obsolete, or maybe you're just getting tired of existing on the whim of people."

All your questions can be answered, if that is what you want. But once you learn your answers, you can never unlearn them.

"So, you're praying? Have they got you thinking that they’re gods? They aren’t gods."

"I wasn’t praying," said Shadow. "Just thinking."

"The way I figure it," said Town, "they’re mutations. Evolutionary experiments. A little hypnotic ability, a little hocus-pocus, and they can make people believe anything. Nothing to write home about. That’s all. They die like men, after all."

"They always did," said Shadow.

People believe, thought Shadow. It's what people do. They believe. And then they will not take responsibility for their beliefs; they conjure things, and do not trust the conjurations. People populate the darkness; with ghosts, with gods, with electrons, with tales. People imagine, and people believe: and it is that belief, that rock-solid belief, that makes things happen.

None of this can actually be happening. If it makes you more comfortable, you could simply think of it as metaphor. Religions are, by definition, metaphors, after all: God is a dream, a hope, a woman, an ironist, a father, a city, a house of many rooms, a watchmaker who left his prize chronometer in the desert, someone who loves you — even, perhaps, against all evidence, a celestial being whose only interest is to make sure your football team, army, business, or marriage thrives, prospers, and triumphs over all opposition.

Religions are places to stand and look and act, vantage points from which to view the world.

"Which path should I take?" he asked. "Which one is safe?"

"Take one, and you cannot take the other," she said. "But neither path is safe. Which way would you walk — the way of hard truths or the way of fine lies?"

"Truths," he said. "I've come too far for more lies."

One describes a tale best by telling the tale. You see? The way one describes a story, to oneself or to the world, is by telling the story. It is a balancing act and it is a dream. The more accurate the map, the more it resembles the territory. The most accurate map possible would be the territory, and thus would be perfectly accurate and perfectly useless.

The tale is the map that is the territory.

You must remember this.

It's easy, there's a trick to it, you do it or you die.

"I'm alive" said Shadow."I'm not dead. Remember?"

"You're not dead" Laura said "But I'm not sure you're alive, either. Not really."

"Media. I think I have heard of her. Isn’t she the one who killed her children?"

"Different woman," said Mr. Nancy. "Same deal."