An artist should be open on all sides to every kind of light and darkness. — John Steinbeck

Some people there are who, being grown, forget the horrible task of learning to read. It is perhaps the greatest single effort that the human undertakes, and he must do it as a child. An adult is rarely successful in the undertaking — the reduction of experience to a set of symbols. For a thousand thousand years these humans have existed and they have only learned this trick — this magic — in the final ten thousand of the thousand thousand.

Now back to Malory.[…] As I go along, I am constantly jiggled by the arrant nonsense of a great deal of the material. A great deal of it makes no sense at all. Two thirds of it is the vain dreaming of children talking in the dark. And then when you are about to throw it out in disgust, you remember the Congressional Record or the Sacco and Vanzetti case or 'preventive war' or our national political platforms, or racial problems that can't be settled reasonably or domestic relations, or beatniks, and it is borne in on you that the world operates on nonsense — that it is a large part of the pattern and that knight errantry is no more crazy than our present-day group thinking, and activity. That is the way humans are. If you inspected them and their activities in the glass of reason, you would drown the whole lot.

"If lowborn men could stand up to those born to rule, religion, government, the whole world would fall to pieces."

"So it would," she said. "So it will."

"I don't believe you," Ewain said. "But for the sake of the discussion, what then, my lady?"

"Why then — then the pieces would have to be put together again."

"By such as these—?"

"Who else? Who indeed else?"