So for a while there, Eddie was one happy ship's officer. But like most men whose brains are in their dicks… — Dave Barry

The remote control had 48 buttons. No resident of the Old Farts Senile Dying Center knew how to operate it. They were the Greatest Generation, men and women who had survived the Depression, defeated the Nazis, built America into the greatest nation the world had ever seen. But this damned gizmo had beaten them. (Chapter 4)

Once, when the bar was slow, he told her about things he'd found in his clients' pools. Alligators, for example; he'd encountered at least a dozen. Also the occasional snake. Hundreds of frogs. These were to be expected in South Florida, which as far as the native wildlife was concerned was still a swamp, no matter how many houses got built on it. (Chapter 7)

Experiences like that led the band to develop the Retaliation Song. The way it worked was, if they were forced to perform a song they hated, they'd retaliate by playing a song that was even worse. For example, if the band had to play "My Way," it would counterattack with Bobby Goldsboro's sap-oozing piece of dreck, "Honey" (She wrecked the car and she was sad, and so afraid that I'd be mad, but what the heck!). One night, at a wedding reception, an extremely drunk man ordered the band to perform "The Ballad of the Green Berets," and then, a half hour later, demanded that it be played again. That night, Arrival struck back with the hydrogen bomb of retaliation songs: "In the Year 2525," the relentlessly ugly Zager and Evans song with the disturbingly weird lyrics (You won't find a thing to chew! Nobody's gonna look at you!). Some guests actually fled the room. (Chapter 3)