Irving Bommer looked like a man who had gone down into the Valley of the Shadow and had seen much more there… — William Tenn

And there, right there, is the area in which science fiction leads the literary side of its life. It is the job of the science-fiction writer to take the utterly fantastic, if need be, and make it seem as real as a copy of today's tabloid newspaper folded to the sports section. To the extent that he succeeds in this he is a good science-fiction writer, and to the extent that he fails to make the story believable he is a bad one, be it ever so full of faster-than-light gimmicks and futuristic individuals with triple brains and mechanical genitalia.

Whether or not the science fiction will eventually develop a Shakespeare, I would not dare to predict. But I do claim that it is a literature produced by our times as much as Shakespeare's was by his. And its unfortunate, frequent vulgarities can well be equated with the vulgarities and plebeian absurdities of much Elizabethan writing, both reflecting the primitive vitality of the mass audience that responded to them. It is, of course, in any age, only moribund fiction that is polished to a point of antisepsis, and that will, in losing touch with its audience, “lose the name of action.” This new medium has as yet lost neither.

“Wh-who are you? And what do you want?”

“Joseph Burns, a poor but honest newspaperman.” He considered for a moment. “Well, poor, anyway.”