"I got a little story for you about them…Haven't ever told anybody this one," the Finn began. The story he… — William Gibson
"I got a little story for you about them…Haven't ever told anybody this one," the Finn began.
The story he told Case and Molly began with another man's story, a man he called Smith. Smith had come to the Finn with a request for help, a fraternal request, one businessman to another.
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Smith had a visitor, unannounced…A small man, Japanese, enormously polite, who bore all the marks of a vat-grown ninja assassin. Smith sat very still, staring into the calm brown eyes of death across a polished table of Vietnamese rosewood. Gently, almost apologetically, the cloned killer explained that it was his duty to find and return a certain artwork, a mechanism of great beauty, which had been taken from the house of his master.
He was less than a block from Deane's office when it hit, the sudden cellular awareness that someone was on his ass, and very close. The cultivation of a certain tame paranoia was something Case took for granted.
It's a world where there aren't families. It's the world of a young person going out into the wilderness, cities, and sort of in a way creating a family. You know, it's kind of like... it's not that it's a "goth book," but it's kind of rather the same stuff that makes kids be goths.
