Victor Hugo

Be it true or false, what is said about men often has as much influence upon their lives, and especially upon their destinies, as what they do.

But who ever does attain to his ideal?

I am not in the world to care for my life, but for souls.

No one could say that the passage of that soul before his own, and the reflection of that grand conscience upon his own had not had its effect upon his approach to perfection.

How frightened hypocrisy hastens to defend itself.

The general ... pursued the emperor as if he wished to let him escape.

To put everything in balance is good, to put everything in harmony is better.

It was, in truth, a spectacle worthy of a more intelligent spectator than Phœbus, to see how these beautiful maidens, with their envenomed and angry tongues, wound, serpent-like, and glided and writhed around the street dancer. They were cruel and graceful; they searched and rummaged maliciously in her poor and silly toilet of spangles and tinsel. There was no end to their laughter, irony, and humiliation. Sarcasms rained down upon the gypsy, and haughty condescension and malevolent looks. One would have thought they were young Roman dames thrusting golden pins into the breast of a beautiful slave. One would have pronounced them elegant greyhounds, circling, with inflated nostrils, round a poor woodland fawn, whom the glance of their master forbade them to devour.

There was certainly a sort of mysterious and pre-existing harmony between this creature and this church. When, still a little fellow, he had dragged himself tortuously and by jerks beneath the shadows of its vaults, he seemed, with his human face and his bestial limbs, the natural reptile of that humid and sombre pavement, upon which the shadow of the Romanesque capitals cast so many strange forms.

It was, in fact, the rector and all the dignitaries of the university, who were marching in procession in front of the embassy, and at that moment traversing the Place. The students crowded into the window, saluted them as they passed with sarcasms and ironical applause. The rector, who was walking at the head of his company, had to support the first broadside; it was severe.

Around the hall, along the lofty wall, between the doors, between the windows, between the pillars, the interminable row of all the kings of France, from Pharamond down: the lazy kings, with pendent arms and downcast eyes; the valiant and combative kings, with heads and arms raised boldly heavenward. Then in the long, pointed windows, glass of a thousand hues; at the wide entrances to the hall, rich doors, finely sculptured; and all, the vaults, pillars, walls, jambs, panelling, doors, statues, covered from top to bottom with a splendid blue and gold illumination, which, a trifle tarnished at the epoch when we behold it, had almost entirely disappeared beneath dust and spiders in the year of grace, 1549, when du Breul still admired it from tradition.

Very little to-day remains, thanks to this catastrophe,—thanks, above all, to the successive restorations which have completed what it spared, —very little remains of that first dwelling of the kings of France,—of that elder palace of the Louvre, already so old in the time of Philip the Handsome, that they sought there for the traces of the magnificent buildings erected by King Robert and described by Helgaldus. Nearly everything has disappeared.... Where is the staircase, from which Charles VI. promulgated his edict of pardon? the slab where Marcel cut the throats of Robert de Clermont and the Marshal of Champagne, in the presence of the dauphin? ... and the stone lion, which stood at the door, with lowered head and tail between his legs, like the lions on the throne of Solomon, in the humiliated attitude which befits force in the presence of justice?