Quotes about transience

Perhaps the magic would last. Perhaps it wouldn't. But then, what does? (p. 355; closing words)

Time and time again have nations, ay, and rich and strong nations, learned in the arts, been and passed away and been forgotten, so that no memory of them remains. This is but one of several; for Time eats up the works of man.

Everything has an end, if only you live long enough to see it.

The sun was setting, throwing a fog-like dusk across the stream and trees, and there was a coolness in the air. It was time, I knew, to be getting back to camp. But I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.

I am much older than you are. Older than you think. If there is one thing I have learned in so many voyages, it is that the dead do not rise, nor the years turn back. What has been and is gone does not come again.

The years between thirty-five and sixty-five revolve before the passive mind as one unexplained, confusing merry-go-round. True, they are a merry-go-round of ill-gaited and wind-broken horses, painted first in pastel colors, then in dull grays and browns, but perplexing and intolerably dizzy the thing is, as never were the merry-go-rounds of childhood or adolescence; as never, surely, were the certain-coursed, dynamic roller-coasters of youth. For most men and women these thirty years are taken up with a gradual withdrawal from life, a retreat first from a front with many shelters, those myriad amusements and curiosities of youth, to a line with less, when we peel down our ambitions to one ambition, our recreations to one recreation, our friends to a few to whom we are anaesthetic; ending up at last in a solitary, desolate strong point that is not strong, where the shells now whistle abominably, now are but half-heard as, by turns frightened and tired, we sit waiting for death.

With me, the present is forever, and forever is always shifting, flowing, melting. This second is life. And when it is gone it is dead. But you can't start over with each new second. You have to judge by what is dead. It's like quicksand... hopeless from the start.

Because we don't know when we will die, we get to think of life as an inexhaustible well. Yet everything happens only a certain number of times, and a very small number really. How many more times will you remember a certain afternoon of your childhood, some afternoon that is so deeply a part of your being that you can't even conceive of your life without it? Perhaps four or five times more, perhaps not even that. How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless.

Whether you clean a stain, a fish, a house, you want to think you're making the world a better place, but really you're just letting things get worse.You think if you work harder and faster, you can hold off the chaos, but then one day you're changing a patio lightbulb with a five-year life span and you realize how you'll only be changing this light maybe ten more times before you'll be dead. Time is running out. There isn't the energy you used to have. You start to slow down. You start to give in.

A human action becomes genuinely important when it springs from the soil of a clearsighted awareness of the temporality and the ephemerality of everything human. It is only this awareness that can breathe any greatness into an action.

Why were the good days always so short? Moment to moment, day by day—each so full, and oh so lovely—and then gone forever, gone before there was a chance to absorb them properly, to really live them.

But nothing lasts, not even stone, not even despair.