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      "text": "What can be done in a sepulcher, they agonised, and what can be done in a hell, they sang. For where there is no more hope, song remains.",
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      "text": "Songs can even draw the moon down from heaven.",
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      "text": "Almost without words he had shown him what music really was.",
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      "text": "It is not easy to determine the nature of music, or why any one should have a knowledge of it.",
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      "text": "“Shall it be that I never hear of anything except deeds of bloodshed and violence? Would it be possible in these turbulent times for a man to listen to words of wisdom regarding music or the poets?”",
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      "text": "You probably suppose that what you heard last night was music. Allow me to correct you: it was acoustic alchemy, hypnosis by means of sound waves. Music is the least resistible of all the arts, so I simply had to make use of it. Try getting an audience to dance by reciting a poem! Try getting them to march! Impossible! Only music can do that.",
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      "text": "I now understood the secret of music and knew what makes it so infinitely superior to all the other arts: its incorporeality. Once it has left an instrument it becomes its own master, a free and independent creature of sound, weightless, incorporeal and perfectly in tune with the universe.",
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      "text": "Dust as we are, the immortal spirit grows\n\nLike harmony in music; there is a dark\n\nInscrutable workmanship that reconciles\n\nDiscordant elements, makes them cling together\n\nIn one society.",
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      "text": "Next to music beer was best.",
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      "text": "She wished there was some place where she could go to hum it out loud. Some kind of music was too private to sing in a house cram full of people. It was funny, too, how lonesome a person could be in a crowded house.",
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      "text": "As an unintended result of the Nazi occupation [of Denmark, where Morgenstern lived at the time], jazz became more popular than ever—a phenomenon universal to countries under the Hitler jackboot. In France, Django Reinhardt enjoyed the greatest acclaim of his career, and even in Germany, there were clandestine groups of jazz fans who'd meet to listen to records. Jazz was anathema to the Nazis. who considered it a mongrel affront to Aryan \"culture,\" the product of an unholy alliance between Africans and Jews. But to those who hated the Nazis, jazz stood for freedom, for democracy, and for the spirit of America, which, especially after Pearl Harbor, seemed to embody hope for a better future.",
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      "text": "The familiar sense of peace rises inside, and my hands stretch toward the piano. And then I play.",
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      "url": "https://www.leafyquotes.com/jeffrey-ford/the-empire-of-ice-cream/my-hero-was",
      "text": "My hero was J. S. Bach. It was from his works that I came to understand mathematics and, through a greater understanding of math, came to a greater understanding of Bach—the golden ratio, the rise of complexity through the reiteration of simple elements, the presence of the cosmic in the common.",
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      "text": "when all of them joined in to sing about lovers and fights and broken-down cars, it was a shared world, between all tribes, all nations. (p 296)",
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      "text": "One of the nice things about living alone— maybe the only good thing about living alone, Frank thinks—is that you can play opera at 4:00 a.m. and not bother anyone. And the house is solid, with thick walls like they used to build in the old days, so Frank's early morning arias don't disturb the neighbors, either.",
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      "text": "Bowman could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness…He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart.\n\nAnd so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.",
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      "text": "Because of 'Porgy' people often compared me to Billie Holiday, which I hated. That was just one song out of my repertoire, and anybody who saw me perform could see we were entirely different. What made me mad was that it meant people couldn't get past the fact we were both black: if I had happened to be white nobody would have made the connection. And I didn't like to be put in a box with other jazz singers because my musicianship was totally different, and in its own way superior. Calling me a jazz singer was a way of ignoring my musical background because I didn't fit into white ideas of what a black performer should be. It was a racist thing; 'If she's black she must be a jazz singer.' It diminished me, exactly like Langston Hughes was diminished when people called him a 'great black poet'. Langston was a great poet period, and it was up to him and him alone to say what part the colour of his skin had to do with that.",
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      "text": "I’ve always believed that my dad is right about one thing—your life is your solo and whatever song you choose to sing you only get to do it once.",
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      "text": "“Cyrus was a musician?” I asked.\n\n“He played the alto sax.”\n\n“And he played jazz?”\n\nAnother brief smile. “Is there any other kind of music?”",
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      "text": "Men have died for this music. You can’t get more serious than that.\n\n—Dizzy Gillespie",
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      "text": "“You like music, Mr. Gurgeh?” Hamin asked, leaning over to the man.\n\nGurgeh nodded. “Well, a little does no harm.”",
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      "text": "I've been told that nobody sings the word \"hunger\" like I do. Or the word \"love.\"",
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      "text": "No two people on earth are alike, and it's got to be that way in music or it isn't music.",
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      "text": "Indeed the influence of music on the development of religion is a subject which would repay a sympathetic study.",
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      "text": "Although he devoted hours of each day to his new discipline, he finds its first premise, as enunciated in the Communications 101 handbook, preposterous: 'Human society has created language in order that we may communicate our thoughts, feelings, and intentions to each other.' His own opinion, which he does not air, is that the origins of speech lie in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul.",
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      "text": "Truly the world should belong to singers and dancers.",
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      "text": "Words penetrated the tank from the outer room. They were tantalizing, like those ghosts of meaning in a great symphony—hinting that the composer had caught a glimpse of something notes could only vaguely convey and words could never even approach.",
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      "text": "Every note leaves in each of us a memory, but it is the melody as a whole that tells a story, the story of someone wanting to get closer to another person and who keeps on trying, despite repeated rejections.",
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      "text": "LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to every one of these essences of existence, but at a fraction of the social or financial cost of a drug and without the need to cry 'Wow!' all the time, which is one of LSD's most distressing and least endearing side-effects.",
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      "text": "He played tune after forbidden tune, and the professional musicians put professional expressions of scorn upon their faces; but beneath the table several feet were tapping in slow time with the music.",
      "language": "en",
      "author": {
        "name": "Roger Zelazny",
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      "text": "Their singing wasn't particularly good, but the feeling with which they sang was not bad at all.",
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        "name": "William Saroyan",
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      "text": "I played him the Goldberg Variations. If one wishes to reduce a sensitive German to tears there is no surer lachrymatory.",
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        "name": "John Fowles",
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      "text": "It often seems to me that of all the good things in the world, the only ones humanity can claim for itself are stories and music; the rest, mercy, beauty, sleep, clean water and hot food [...] are all the work of the Increate. Thus, stories are small things indeed in the scheme of the universe, but it is hard not to love best what is our own.",
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      "url": "https://www.leafyquotes.com/gene-wolfe/the-sword-of-the-lictor/not-dead-why",
      "text": "Not dead. Why had he thought that every life must end in death, and never in anything else? Not dead, but vanished as a single note vanishes, never to reappear, when it becomes an indistinguishable and inseparable part of some extemporized melody.",
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      "text": "\"Whenever I put the headsets on now,\" he'd continued, \"I really do understand what I find there. When those kids sing about 'She loves you,' yeah, well, you know, she does, she's any number of people, all over the world, back through time, different colors, shapes, sizes, distances from death, but she loves. And the 'you' is everybody. And herself.\"",
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      "text": "When I was five, I am told, and asked what my favorite things in the world were, I answered, “smoked salmon and Bach.” (Now, sixty years later, my answer would be the same.)",
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      "text": "The music of the soul is also the music of salesmanship. Exchange value, not truth value counts. On it centers the rationality of the status quo, and all alien rationality is bent to It.",
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      "text": "This song of the waters is audible to every ear, but there is other music in these hills, by no means audible to all. To hear even a few notes of it you must first live here for a long time, and you must know the speech of hills and rivers. Then on a still night, when the campfire is low and the Pleiades have climbed over rimrocks, sit quietly and listen for a wolf to howl, and think hard of everything you have seen and tried to understand. Then you may hear it—a vast pulsing harmony—its score inscribed on a thousand hills, its notes the lives and deaths of plants and animals, its rhythms spanning the seconds and the centuries.",
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      "text": "He had always wanted to write music, and he could give no other identity to the thing he sought. If you want to know what it is, he told himself, listen to the first phrases of Tchaikovsky's \"First Concerto\"—or to the last movement of Rachmaninoff's Second. Men have not found the words for it nor the deed nor the thought, but they have found the music. Let me see that in one single act of man on earth. Let me see it made real. Let me see the answer to the promise of that music. Not servants nor those served; not altars and immolations; but the final, the fulfilled, innocent of pain. Don't help me or serve me, but let me see it once, because I need it. Don't work for my happiness, my brothers—show me yours—show me that it is possible—show me your achievement—and the knowledge will give me courage for mine.",
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      "text": "I’ve heard it said that the happiest times in our lives is the period when pop songs really mean something to us, really get to us. It may be true. Or maybe not. Pop songs may, after all, be nothing but pop songs. And perhaps our lives are merely decorative, expendable items, a burst of fleeting color and nothing more.",
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      "text": "“It always seemed to me they’re sort of alike,” he said, “magic and music. Spells and tunes. For one thing, you have to get them just exactly right.”",
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      "text": "He sat still a long time. Music will not save us, Otto Egorin had said. Not you, or me, or her, the big golden-voiced woman who had no children and wanted none; not Lehmann who sang the song; not Schubert who had written it and was a hundred years dead. What good is music? None, Gaye thought, and that is the point. To the world and its states and armies and factories and Leaders, music says, “you are irrelevant”; and, arrogant and gentle as a god, to the suffering man it says only, “Listen.” For being saved is not the point. Music saves nothing. Merciful, uncaring, it denies and breaks down all the shelters, the houses men build for themselves, that they may see the sky.",
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      "text": "Was he an animal, that music could move him so? He felt as if the way to the unknown nourishment he longed for were coming to light.",
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      "text": "What counts is what’s happening inside him, his own artistic fulfillment. If he can blow their skulls, that’s a bonus. But this is ecstasy. The whole universe is vibrating around him. A gigantic solo. God himself must have felt this way when he got to work on the first day.",
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      "text": "I borrow some subject or other from life or from nature, and, using it as a pretext, I arrange lines and colors so as to obtain symphonies, harmonies that do not represent a thing that is real, in the vulgar sense of the word, and do not directly express any idea, but are supposed to make you think the way music is supposed to make you think, unaided by ideas or images, simply through the mysterious affinities that exist between our brains and such arrangements of colors and lines.",
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      "text": "[Harry listening to car radio] ...he resents being made to realise, this late, that the songs of his life were as moronic as the rock the brainless kids now feed on, or the Sixties and Seventies stuff that Nelson gobbled up – all of it designed for empty heads and overheated hormones, an ocean white with foam, and listening to it now is like trying to eat a double banana split the way he used to. It's all disposable, cooked up to turn a quick profit. They lead us down the garden path, the music manufacturers, then turn around and lead the next generation down with a slightly different flavour of glop.",
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      "text": "\"Music is like wine, Bridgetower,\" he had said; \"the less people know about it, the sweeter they like it.\"",
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      "text": "Purcell! What a genius! And lucky, too. Nobody has ever thought to blow him up into a God-like Genius, like poor old Bach, or a Misunderstood Genius, like poor old Mozart, or a Wicked and Immoral Genius, like poor old Wagner. Purcell is just a nice, simple Genius, rollicking happily through Eternity. The boobs and the gramophone salesmen and the music hucksters haven't discovered him yet and please God they never will. Kids don't peck and mess at little scraps of Purcell for examinations. Arthritic organists don't torture Purcell in chapels and tin Bethels all over the country on Sundays, while the middle classes are pretending to be holy. Purcell is still left for people who really like music.",
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      "text": "Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio.",
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      "text": "I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, among slaves, as evidence of their contentment and happiness. It is impossible to conceive of a greater mistake. Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears. At least, such is my experience. I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.",
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      "text": "I will say, too, that lovemaking, if sincere, is one of the best ideas Satan put in the apple she gave to the serpent to give to Eve. The best idea in that apple, though, is making jazz.",
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      "text": "I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, \"The Beatles did.\"",
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      "text": "This music of yours. A manifestation of the highest energy — not at all abstract, but without an object, energy in a void, in pure ether — where else in the universe does such a thing appear? We Germans have taken over from philosophy the expression ‘in itself,’ we use it every day without much idea of the metaphysical. But here you have it, such music is energy itself, yet not as idea, rather in its actuality. I call your attention to the fact that is almost the definition of God. Imitatio Dei — I am surprised it is not forbidden.",
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      "text": "My aversion from music rests on political grounds.",
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      "text": "There is something suspicious about music, gentlemen. I insist that she is, by her nature, equivocal. I shall not be going too far in saying at once that she is politically suspect.",
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      "text": "Hans Castorp loved music from his heart; it worked upon him much the same way as did his breakfast porter, with deeply soothing, narcotic effect, tempting him to doze.",
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      "text": "No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted. I fit a window frame into a brick wall. With a little brush, the size for fingernail polish, I glue it. The window is the size of a fingernail. The glue smells like hair spray. The smell tastes like oranges and gasoline",
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      "text": "You turn up your music to hide the noise. Other people turn up their music to hide yours. You turn up yours again. Everyone buys a bigger stereo system. This is the arms race of sound You don't win with a lot of treble. This isn't about quality. It's about volume. This isn't about music. This is about winning. You stomp the competition with the bass line. You rattle windows. You drop the melody line, and shout the lyrics. You put in foul language and come down hard on each cussword. You dominate. This is really about power.",
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      "text": "Every generation wants to be the last. Every generation hates the next trend in music they can't understand. We hate to give up the reins of our culture. To find our own music playing in elevators. The ballad for our revolution, turned into background music for a television commercial. To find our generation's clothes and hair suddenly retro.",
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      "text": "Every now and then a clear harmonic cry gave new suggestions of a tune that would someday be the only tune in the world and would raise men's souls to joy.",
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      "text": "I never understood music. It seemed to me to be the maximum amount of noise conveying the minimum amount of information.",
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      "text": "On the infrequent occasions when I have been called upon in a formal place to play the bongo drums, the introducer never seems to find it necessary to mention that I also do theoretical physics.",
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      "text": "It seemed at last that there were two musics progressing at one time before the seat of Ilúvatar, and they were utterly at variance. The one was deep and wide and beautiful, but slow and blended with an immeasurable sorrow, from which its beauty chiefly came. The other had now achieved a unity of its own; but it was loud, and vain, and endlessly repeated; and it had little harmony, but rather a clamorous unison as of many trumpets braying upon a few notes. And it essayed to drown the other music by the violence of its voice, but it seemed that its most triumphant notes were taken by the other and woven into its own solemn pattern.",
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      "text": "I think I should have no other mortal wants, if I could always have plenty of music. It seems to infuse strength into my limbs, and ideas into my brain. Life seems to go on without effort, when I am filled with music.",
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      "text": "There is no feeling, except the extremes of fear and grief, that does not find relief in music.",
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      "text": "Bach: a scale of tears upon which our desires for God ascend.",
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      "text": "The tune had been haunting London for weeks past. It was one of countless similar songs published for the benefit of the proles by a sub-section of the Music Department. The words of these songs were composed without any human intervention whatever on an instrument known as versificator.",
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      "text": "The kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The common place person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but transalate his visions into human words, and his experiences into human actions.",
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      "text": "Anon they move\n\nIn perfect phalanx, to the Dorian mood\n\nOf flutes and soft recorders.",
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      "text": "Not only was Thebes built by the music of an Orpheus; but without the music of some inspired Orpheus was no city ever built, no work that man glories-in ever done.",
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      "text": "Van and Schenck put their songs over so skillfully that it isn't until their act is all done that you realize what extremely indifferent songs they are. Now, when John Steel is singing, on the other hand, you are never fooled for a moment. p.153",
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      "text": "Freddie Aguilar, who's billed as \"the Bob Dylan of the Philippines.\" This is unfair, since he's good-looking, plays the guitar well, can carry a tune, and writes songs that make sense.",
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      "text": "This genre of music is called Electronic Dance Music, or sometimes Club Music, or sometimes just Loud Unimaginative Absurdly Repetitious Boring Music, because—follow me closely here—it sucks. That is only my opinion, of course; taste in music is subjective. It is possible that you like Electronic Dance Music, in which case you are wrong because it sucks.",
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      "text": "Experiences like that led the band to develop the Retaliation Song. The way it worked was, if they were forced to perform a song they hated, they'd retaliate by playing a song that was even worse. For example, if the band had to play \"My Way,\" it would counterattack with Bobby Goldsboro's sap-oozing piece of dreck, \"Honey\" (She wrecked the car and she was sad, and so afraid that I'd be mad, but what the heck!). One night, at a wedding reception, an extremely drunk man ordered the band to perform \"The Ballad of the Green Berets,\" and then, a half hour later, demanded that it be played again. That night, Arrival struck back with the hydrogen bomb of retaliation songs: \"In the Year 2525,\" the relentlessly ugly Zager and Evans song with the disturbingly weird lyrics (You won't find a thing to chew! Nobody's gonna look at you!). Some guests actually fled the room. (Chapter 3)",
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      "text": "Composers are not human; They can live on diminished sevenths, and be contented with a pianoforte for a wife, and a string quartet for a family.",
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