In the static space of the architect, he might've used a double integral now and then, early in his career… — Thomas Pynchon
In the static space of the architect, he might've used a double integral now and then, early in his career, to find volumes under surfaces whose equations are known — masses, moments, centers of gravity. But it has been years since he's had to do with anything that basic...in the dynamic space of the living Rocket, the double integral has a different meaning. To integrate here is to operate on a rate of change so that time falls away: change is stilled....'Meters per second' will integrate to 'meters'. The moving vehicle is frozen, in space, to become architecture, and timeless. It was never launched. It will never fall.
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"The edge of evening … the long curve of people all wishing on the first star.... Always remember those men and women along the thousands of miles of land and sea. The true moment of shadow is the moment in which you see the point of light in the sky. The single point, and the Shadow that has just gathered you in its sweep ..."
Always remember.
The first star hangs between his feet.
Now —
It's a giant factory-state here, a City of the Future full of extrapolated 1930's swoop-facaded and balconied skyscrapers, lean chrome caryatids with bobbed hairdos, classy airships of all descriptions drifting in the boom and hush of the city abysses, golden lovelies sunning in roof gardens and turning to wave as you pass.
"You." A finger the size of a corncob, an inch from Slothrop's nose.
...
"Look," Slothrop's friend producing a kraft-paper envelope that even in the gloom Slothrop can tell is fat with American Army yellow-seal scrip, "I want you to hold this for me, till I ask for it back. It looks like Italo is going to get here before Tamara, and I'm not sure which one"
"At this rate, Tamara's gonna get here before tonight," Slothrop interjects in a Groucho Marx voice.
"Don't try to undermine my confidence in you," advises the Large One. "You're the man."
