He thought of his work, and the place where yesterday and again today he had been forced to lay it down… — Thomas Mann
He thought of his work, and the place where yesterday and again today he had been forced to lay it down, since it would not yield either to patient effort, or a swift coup de main. Again and again he had tried to break or untie the knot—only to retire at last from the attack with a shiver of repugnance. Yet the difficulty was actually not a great one; what sapped his strength was distaste for the task, betrayed by a fastidiousness he could no longer satisfy. In his youth, indeed, the nature and inmost essence of the literary gift had been, to him, this very scrupulosity; for it he had bridled and tempered his sensibilities, knowing full well that feeling is prone to be content with easy gains and blithe half-perfection. So now, perhaps, feeling, thus tyrannized, avenged itself by leaving him, refusing from now on to carry and wing his art and taking away with it all the ecstasy he had known in form and expression.
p. 7Source: Wikiquote · CC BY-SA 4.0
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Aschenbach ... was overwrought by a morning of hard, nerve-taxing work, work which had not ceased to exact its uttermost in the way of sustained concentration, conscientiousness, and tact; and after the noon meal found himself powerless to check the onward sweep of the productive mechanism within him, that motus animi continuus in which, according to Cicero, eloquence resides.
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What discipline, what precision of thought were expressed by the tense youthful perfection of this form! And yet the pure, strong will which had laboured in darkness and succeeded in bringing this godlike work of art to the light of day—was it not known and familiar to him, the artist? Was not the same force at work in himself when he strove in cold fury to liberate from the marble mass of language the slender forms of his art which he saw with the eye of his mind and would body forth to men as the mirror and image of spiritual beauty?
p. 44
Outsiders might be pardoned for believing that his Maia world and the epic amplitude revealed by the life of Frederick were a manifestation of great power working under high pressure, that they came forth, as it were, all in one breath. It was the more triumph for his morale; for the truth was that they were heaped up to greatness in layer after layer, in long days of work, out of hundreds and hundreds of single inspirations; they owed their excellence, both of mass and detail, to one thing and one alone; that their creator could hold out for years under the strain of the same piece of work.
p. 10
