Sylvia Plath

I love people. Everybody. I love them, I think, as a stamp collector loves his collection. Every story, every incident, every bit of conversation is raw material for me. My love's not impersonal yet not wholly subjective either. I would like to be everyone, a cripple, a dying man, a whore, and then come back to write about my thoughts, my emotions, as that person. But I am not omniscient. I have to live my life, and it is the only one I'll ever have. And you cannot regard your own life with objective curiosity all the time.

To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream.

I must get back my soul from you; I am killing my flesh without it.

If I didn't think, I'd be much happier; if I didn't have any sex organs, I wouldn't waver on the brink of nervous emotion and tears all the time.

With me, the present is forever, and forever is always shifting, flowing, melting. This second is life. And when it is gone it is dead. But you can't start over with each new second. You have to judge by what is dead. It's like quicksand... hopeless from the start.

I didn't feel like asking him if there were any other ways to have babies. For some reason the most important thing to me was actually seeing the baby come out of you yourself and making sure it was yours. I thought if you had to have all that pain anyway you might just as well stay awake. I had always imagined myself hitching up on to my elbows on the delivery table after it was all over — dead white, of course, with no makeup and form the awful ordeal, but smiling and radiant, with my hair down to my waist, and reaching out for my first little squirmy child and saying its name, whatever it was.

So many of us!

So many of us!We are shelves, we are

Tables, we are meek,

We are edible,Nudgers and shovers

In spite of ourselves.

Our kind multiplies:We shall by morning

Inherit the earth.

Our foot's in the door.

The bell jar hung, suspended, a few feet above my head. I was open to the circulating air.

There must be quite a few things a hot bath won't cure, but I don't know many of them.

If you expect nothing from somebody you are never disappointed.

I never feel so much myself as when I'm in a hot bath.

"It's a tango." Marco maneuvered me out among the dancers. "I love tangos." "I can't dance." "You don't have to dance. I'll do that dancing." Marco hooked an arm around my waist and jerked me up against his dazzling white suit. Then he said, "Pretend you are drowning." I shut my eyes, and the music broke over me like a rainstorm. Marco's leg slid forward against mine and my leg slid back and I seemed to be riveted against him, limb for limb, moving as he moved, without any will or knowledge of my own, and after a while I thought, "It doesn't take two to dance, it only takes one," and I let myself blow and bend like a tree in the wind. "What did I tell you?" Marco's breath scorched my ear. "You're a perfectly respectable dancer."