Stephen King

Deep in the trenches carved into the floors of the Pacific and the Indian Oceans, there are fish which live and die without ever seeing or sensing the sun. These fabulous creatures cruise the depths like ghostly balloons, lit from within by their own radiance. Although they look delicate, they are actually marvels of biological design, built to withstand pressures that would squash a man as flat as a windowpane in the blink of an eye. Their great strength, however, is also their great weakness. Prisoners of their own alien bodies, they are locked forever in their dark depths. If they are captured and drawn toward the surface, toward the sun, they simply explode. It is not external pressure that destroys them, but its absence.

Life isn't a support system for art. It's the other way around.

And if there are no cars or planes, and if no one's Uncle John is out in the wood lot west of town banging away at a quail or a pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.

Before drifting away entirely, he found himself reflecting — not for the first time — on the peculiarity of adults. They took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic: the job, the money, what the teacher will think if I can't get Jennie nicer clothes, does my wife still love me, who are my friends. They were pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood.

Writing is a lonely job. Having someone who believes in you makes a lot of difference. They don’t have to make speeches. Just believing is usually enough.

...the Lot's knowledge of the country's torment was academic. Time went on a different schedule there. Nothing too nasty could happen in such a nice little town. Not there.

You can approach the act of writing with nervousness, excitement, hopefulness, or even despair--the sense that you can never completely put on the page what's in your mind and heart. You can come to the act with your fists clenched and your eyes narrowed, ready to kick ass and take down names. You can come to it because you want a girl to marry you or because you want to change the world. Come to it any way but lightly. Let me say it again: you must not come lightly to the blank page.

I believe the road to hell is paved with adverbs, and I will shout it from the rooftops.

"Words create sentences; sentences create paragraphs; sometimes paragraphs quicken and begin to breathe. Imagine if you like, Frankenstein's monster on its slab. Here comes lightning, not from the sky but from a humble paragraph of English words. Maybe it's the first really good paragraph you wrote, something so fragile and yet full of possibility that you are frightened. You feel as Victor Frankenstein must have when the dead conglomeration of sewn-together spare parts suddenly opened its watery yellow eyes. Oh my God, it's breathing, you realize. Maybe it's even thinking. What in hell's name do I do next?

If you don't have the time to read, you don't have the time (or the tools) to write.

And you couldn't explain that to your mother and father, who were creatures of the light. No more than you could explain to them how, at the age of three, the spare blanket at the foot of the crib turned into a collection of snakes that lay staring at you with flat and lidless eyes. No child ever conquers those fears, he thought. If a fear cannot be articulated, it can't be conquered. And the fears locked in small brains are much too large to pass through the orifice of the mouth. Sooner or later you found someone to walk past all the deserted meeting houses you had to pass between grinning babyhood and grunting senility. Until tonight. Until tonight when you found out that none of the old fears had been staked— only tucked away in their tiny, child-sized coffins with a wild rose on top.

"I'm convinced that fear is at the root of most bad writing"