No respectable Sikh family would buy art merely for its aesthetic qualities. — Shamini Flint

Now he was in a holding pen with various members of the Kuala Lumpur criminal fraternity and they scared him [...] They ranged from a Chinese gang member, whose dragon tattoo foraged up his arm and curled around his neck, to a large, [sic] Indian man with a jet-black moustache and pocked-marked face, brooding in a corner. The majority of his cellmates appeared from their accents to be Indonesians, part of the large contingent of illegal immigrants in Malaysia. [...] At least, he thought, the government should be proud that their efforts to integrate the various races in Malaysia into a cohesive society were bearing such fruit. It was a very multi-racial group that was penned in together.

Sometimes, if you want to protect something you care about, you have to take extreme steps.

And yet, the inspector thought, Kuala Lumpur had a certain something. It was difficult for him to put his finger on what it was exactly. There was a sense of freedom perhaps, of anarchy even, that Singapore so sorely lacked. Perhaps it was the lack of deference to authority, the physical space, the ability to take a step back and enjoy a moment of quiet that lent Kuala Lumpur its atmosphere.