Diablo and I fashioned my beard together in my trailer, together, as cautiously as you’d sculpt a peace… — Russell Brand
Diablo and I fashioned my beard together in my trailer, together, as cautiously as you’d sculpt a peace treaty between two nations that prefer war to peace. The reality was that my identity outside of filmmaking had become more important to me. I was doing hours of yoga and meditation each day, I was going through a divorce, and the result was a kind of hirsute intransigence. I looked like the cliché of a terrorist and I behaved like one. Except the beard wasn’t the symbol, it was the cause. I feel some guilt about my lack of enthusiasm for acting, like it’s a bit ungrateful. Like I’ve let my teenage self down. Mind you, he let himself down a fair bit, the dirty little pervert. The dreams of my adolescent self were entangled with silvery screens and limousines, and I still feel that I need to offer up superficial sacrifices to his misguided altar. The fact is, though, I find filmmaking a boring process and its ends dubious. This could, of course, be due to the quality of the stuff I’ve done so far, as opposed to an essential rejection of an art form. Maybe if I’d been "R. P. McMurphy" or "The Elephant Man" or "Brian," I’d feel different. It just wasn’t what I thought it would be. It’s not just the entertainment industry that has seemed like a mirage on arrival. What about clubs and parties? When I’m there I think, "Is this it? Is this all there is? Is this what all the fuss is about?" This feeling of disillusionment perhaps climaxed around the time of my divorce and the making of this subsequent film.
Source: Wikiquote · CC BY-SA 4.0
More from this book
Or as Flight of the Conchords put it: "They’re turning kids into slaves just to make cheaper sneakers. But what’s the real cost? ’Cause the sneakers don’t seem that much cheaper. Why are we still paying so much for sneakers when you got them made by little slave kids? What are your overheads?"
When the physicist speaks of the expanding universe with atheistic wonder, he is feeling the same transcendent pull that Rumi describes: Do you know what you are? You are a manuscript of a divine letter. You are a mirror reflecting a noble face. This universe is not outside of you. Look inside yourself; everything that you want, you are already that.
If I, so close to the peak, could glean no joy from that rarefied air, the air I was told, as soon as I’d acquired language, would absolve me, if in fact all I gleaned was the view from that peak, the vista true, that the whole climb had been a spellbound clamber up an edifice of foolishness, then what possible salvation can there be for those at the foothills or dying on the slopes or those for whom the climb is not even an option? What is their solution? Well, it’s the same solution that’s available to me, the only solution that will make any of us free. To detach the harness and fall within. Now that’s what I call an extended metaphor. In Fairfield, Iowa, then, there could be the solution. But none of us want a boring solution. The Revolution cannot be boring.
